As old Broadway shows are revived, new Broadway shows are spun from old movies so that new movies may be fashioned from ancient TV series. It’s an iron law of the culture industry that turns out to be a pleasant surprise in the case of Get Smart, the late-’60s sitcom…
You want a history lesson? Take a class. You want clanging swords, sneering villains, storybook romance, and bloody vengeance? Here’s a brawny old-school epic to make the CGI tumult of 300, Alexander, and Troy look like sissy-boy slap parties. Mongol, alias Genghis Khan: The Early Years, may compress, elide, and…
Just over a decade ago, Russian director Sergei Bodrov made his mark on the West with his Academy Award-nominated movie Prisoner of the Mountains, which transplanted a Tolstoy novella for children to Russia’s war with Chechnya. Though Prisoner seemed an unlikely calling card for Hollywood, its blend of commercial technique…
Screenwriter Steven Conrad writes movies about success and self-fulfillment in America — how we define it, the price we pay for it, and what it looks like depending on where you’re standing. In Conrad’s The Weather Man, the central figure was a vain TV news personality who had everything that…
The Foot Fist Way has been trying to break into theaters since clawing its way down film-fest row, beginning at Sundance in ’06. It took Will Ferrell and his comedy life partner Adam McKay to get distributors interested; notes the trailer: The men behind Anchorman’s desk and Talladega Nights’ wheel…
In recent days, Universal’s been running a TV spot for The Incredible Hulk that gives away what should come as no surprise to any fanboy worth his action figure collection: the appearance of Robert Downey Jr. as, natch, Tony Stark. From the delighted, deafening squeals of at least one sneak-preview…
Behold Adam Sandler, in a passable Israeli accent and outsize codpiece, as Zohan the Mossad super-heavy: catching barbecued fish in his butt crack on a Tel Aviv beach, repelling bullets with his nostril, sculpting hand grenades into toy poodles for delighted Palestinian children while making mincemeat of an Arab terrorist…
It’s been 20 years since Errol Morris made The Thin Blue Line — a found “noir” that served to free an innocent man convicted of murder. Gathering evidence and dramatizing testimony, Morris’s movie circled around a single, unrepresentable event — the death of a cop on a lonely stretch of…
In “Fatso,” a short story by Israeli writer Etgar Keret, monogamy takes a bizarre vacation when the narrator’s pretty girlfriend morphs, every night, into a hairy, beer-guzzling macho soccer fanatic who takes her lover to steak restaurants and sleazy bars — an experience as unexpectedly delightful to him as the…
Oh, please — spoiler alert? Fine, I won’t tell you whether Carrie Bradshaw ties the knot with Mr. Big, even though you’ve already seen that gown winging its way around the Web. Given the Sex and the City vibe, some fans might be more interested in whether the frock —…
CANNES, France — The competition for the Palme d’Or is ongoing as I write, yet the red carpet has been rolled up as you read. You will know, as I can’t, whether my comrade journalists agree that the second-week story of the 61st Cannes Film Festival is Steven Soderbergh’s two-part…
Here’s your hat, Indy. But, really, what’s your hurry? Because 19 years after the Last Crusade that clearly wasn’t, and 15 years after the old man joined Young Indiana Jones on the small screen to recount his glory days blowing horns with Sidney Bechet, it’s almost unfathomable that this hoary…
CANNES, France — No need for dreaming here. Each Cannes Film Festival generates its own metaphors for a 10-day regimen of visions in the dark. It’s impossible to forget, let alone transcend, one’s unnatural situation here. The opening film of Cannes’ 2008 edition clobbered participants with a cautionary allegory. Regardez:…
Call them the comeback kids: In its early days, the 2008 Cannes Film Festival has served as a staging ground for a number of unlikely returns, beginning with that of Polish director Jerzy Skolimowski, who’s been absent from movie screens (except as an occasional actor) for nearly as long as…
CANNES, France—The competition for the Palme d’Or is ongoing as I write, but the story of the 61st Cannes Film Festival is Steven Soderbergh’s two-part, four-and-a-half-hour Che—an epic non-biopic that might well have been approved by Roberto Rossellini, envied by Francis Coppola, and even appreciated by its subject. (And the…
CANNES, France—Wading through 20-odd movies in half as many languages, each Cannes jury supplies its own dramatic narrative, to be interpreted according to its president’s presumed taste. Days before the 61st Cannes Film Festival ended, rumors were rife that the jury was having difficulties reaching consensus. As the award ceremony…
“Things never happen the same way twice.” Thus boometh Aslan the lion (Liam Neeson), alias the Son of God, popping his computer-generated shaggy head briefly into The Chronicles of Narnia: Prince Caspian to pep-talk a bunch of discouraged Brits into fighting the good fight again. As in life, so in…
Converting a fondly remembered cartoon series — one of the first Japanese animes syndicated on American TV — into a prospective franchise, the Matrix masters, Larry and Andy Wachowski, have taken another step toward the total cyborganization of the cinema. Even more than most summer-season F/X fests, Speed Racer is…
Canadian poet Anne Michaels’ beautiful 1996 novel, Fugitive Pieces — about a Jewish writer immobilized by the memory of his Polish family’s murder at the hands of the Nazis — distills tragedy into grief, terror, and a wary romance built on the redemptive power of love and art, and set…
David Mamet’s Redbelt is a tricky bar brawl — call it the Roundhouse of Games. The writer-director has scarcely abandoned his sense of the movies as an innately duplicitous medium, one best suited to stories that play out as conspiratorial chess matches. But, with his 10th feature — an entertaining…
No adult has ever been able to codify what separates a good movie from a classic. In kid terms, though — those favored by Son of Rambow, a chipper tribute to the cinema as both supplier and repository of dreams — a good movie merely sends you bounding home from…
Chalk it up to personal preference, but I’ve always been fonder of those comic-book heroes who emerge by intent rather than happenstance. Like Bruce Wayne, whose transformation from average Joe into masked crusader is an act of will instead of the unintended result of a genetic mutation, a spider bite,…
