One would never confuse the work of writer-director Todd Phillips with that of the late Robert Hamer, whose filmography includes the essential Kind Hearts and Coronets. Hamer’s movies had a gentlemanly quality, no matter the cruelty that skulked beneath their prim exteriors; one always felt the characters in his movies,…
According to its publicity, bringing Robert Penn Warren’s 1946 novel All the King’s Men to the screen again has always been “a cherished dream” of executive producer James Carville — suggesting a lurking sense of payback frustration with the insubstantial legacy of the real populist Southerner Carville himself helped to…
Anyone who wants to start feeling good about war again — and hey, pilgrim, isn’t it about time? — might do well to take in Flyboys. In this elaborate, computer-generated fantasy, the plucky volunteer pilots of the Lafayette Escadrille are once more cast as “knights of the sky,” dashing young…
Despite its title, Confetti, a chaotic mockumentary in the finest tradition of English vulgarity, has nothing whatever to say about marriage. It’s a loud belch in the face of a billion-dollar wedding industry that has sprung up to service the longings of the post-feminist young for ceremonial opulence. Broad as…
Fans of Hong Kong cinema have been anticipating Jet Li’s Fearless all year, if not longer. The star is arguably the best in the business at combining major ass-kicking with actual acting; the director is Ronny Yu, known here for over-the-top horror sequels but more familiar to genre fans as…
Directed by Brian De Palma from the novel by neo-noirist James Ellroy, The Black Dahlia is a true-crime policier unfolding in late-’40s Los Angeles somewhere between the neighborhoods of Chinatown and Mulholland Drive. The premise involves one of L.A.’s most notorious unsolved homicides. In early 1947, the naked corpse of…
Those twentysomethings, poor dears, can never catch a break in the movies. First this maligned generation is told, in countless gritty indies and perky studio comedies, that they’re rowing through life without oars. Now, director Tony Goldwyn’s admirably understated handling of dispiritingly slender material suggests that if you’re pushing 30,…
“The Rock” — formerly known as “Flex Kavana” and, a bit later, as “Rocky Maivia” — was a practicing actor long before he turned to movies and started taking down $12 million paychecks. The happily deluded throngs who used to watch him lay signature moves like the People’s Elbow or…
Among documentary muckrakers, Kirby Dick may not be as righteously indignant as Michael Moore or as brilliantly droll as Nick Broomfield. But say this for the maker and star of This Film Is Not Yet Rated: He’s not afraid to soil his hands to get the story. Rummaging through the…
If Superman Returns attempted to resurrect the Man of Steel as mythic hero, the season’s other Superman movie wants to disabuse us of any such childish illusions. Glamorously adult, Hollywoodland purports to part the veil on the circumstances by which George Reeves, the actor who embodied the superhero on ’50s…
Look! Up in the sky! It’s a bird! It’s a plane! It’s an entire generation of middle-aged men who refuse to believe that the actor who played the original Superman could have killed himself! Okay, so maybe they’re not up in the sky. Mostly they’re on the Internet, swapping conspiracy…
A number of pregnant mysteries arise with the new remake of Robin Hardy’s 1973 cult-remembered genre work The Wicker Man — namely, what’s in this kind of malarkey for gender-combat provocateur Neil LaBute, and why was such a high-profile film tossed into theaters last Friday without letting critics see it…
By the time Trust the Man opens this weekend, it will have been nearly a year since it debuted at the Toronto International Film Festival, where it was picked up for distribution by Fox Searchlight. Forget that it’s a year old; this thing tastes a good decade past its expiration…
I hate dogs. It’s one of several things about me that people point to as proof that I’m not a human being. But I have my reasons for recoiling at the sight (and smell!) of nearly every canine I’ve ever come across. Like the fact that an especially large, brutish…
One of the weakest and most ridiculous aspects of popular culture is its narcissistic now-ness. There’s often no then or later, and without past experience or the messy knowledge of life, modern entertainment media often seem poached in a neurotic teenage brainpan, entranced with their own ignorant tunnel vision. A…
Low, which is to say no, expectations can be a wonderful thing; expect nothing, and maybe you’ll get that little outta-nowhere sumpin-sumpin that turns an otherwise unfulfilling occurrence into a vaguely rewarding experience. It’s not like Invincible boasts the most promising of credentials: a first-time filmmaker (Ericson Core, the cinematographer…
If, at this remove, we can imagine Vienna in the late 1890s, we behold a great imperial capital in ferment. Gustav Mahler is not only reinventing the harmonic structure of serious music, he is getting his head seriously shrunk by Sigmund Freud. Arnold Schoenberg takes painting lessons from the eroticist…
Snakes on a Plane represents the ideal of contemporary major-studio filmmaking — which is to say, major-studio marketing. Who needs word-of-mouth screenings or critics when you can sell the four-word pitch as written on a napkin? It points to a future that takes all the guesswork out of moviegoing. A…
The grainy images are both utterly mundane and deeply disturbing. They flicker past silently; the soundtrack to this short movie is long lost. Yet there’s a soundless wail of horror behind these simple scenes — of a group of men erecting a low, tarpaper-covered building; a woman hanging laundry; a…
Jason Lethcoe’s book Amazing Adventures From Zoom’s Academy doesn’t particularly wow the reader with its prose, but the concept is solid — basically, Harry Potter with superheroes rather than wizards. The heroine, Summer Jones, is an awkward 13-year-old tomboy with a goofy father named Jasper who likes to tinker with…
World Trade Center is about just that — the attacks on, and the collapse of, the twin towers on September 11, 2001. But 45 minutes in, a viewer might easily forget the movie is set during that nightmarish day. There is little talk of terrorism and scant suggestion that a…
Like the shambling VW van its hapless characters steer from Albuquerque to Redondo Beach, Little Miss Sunshine is a rickety vehicle that travels mostly downhill. How this antic extended sitcom from first-time feature makers Jonathan Dayton and Valerie Faris left Sundance with an eight-figure deal and reams of enthralled press…
