There’s imported-film minimalism, and then there’s this: Fernando Eimbcke’s feature debut Duck Season, a daringly banal comedy of ennui set almost entirely in a middle-class Mexico City flat. Knocking them dead at festivals and at the Mexican Ariel Awards, where it enjoyed a Ben-Hur-like sweep, Eimbcke’s movie could become the…
We are in the middle of a B-movie renaissance, if you haven’t noticed. For years now, the politics of the multiplex have forced films to be either big-budget, Burger King-cup blockbusters or tiny “indie” projects about college-educated Caucasians with emotional problems (and viewed by college-educated Caucasians with emotional problems). But…
In his 1961 farewell address, President Eisenhower warned Americans that an insidious new force was taking hold in the country. He called it the “military-industrial complex.” Born of necessity during the Second World War, this once valuable conjunction of the military, the federal government, and the armaments industry was suddenly…
A gritty portrait of ghetto life in contemporary South Africa, Tsotsi packs an unexpected emotional wallop. Gavin Hood’s film tells a story of violence and redemption that’s even more remarkable when you consider that neither of the lead performers had ever acted in a movie previously. It’s little wonder that…
“You want an easy job, go join the Red Cross,” someone says well into Thank You for Smoking, a gleeful farce about capitalist mendacity based on Christopher Buckley’s 1994 bestseller. The implication, made drummingly plain in the film’s every bon mot, is that our ethical barometers skew lazily toward goodness,…
Given Inside Man’s bullpen (director Spike Lee, stars Denzel Washington and Jodie Foster), moment in political history, and advertising, you could be forgiven for anticipating some kind of socially relevant, perhaps even politically volatile dramatic smashup — something with teeth, ambition, a functioning cerebrum, and a lusty relationship with reality…
The posters for V for Vendetta read “An uncompromising vision of the future from the creators of The Matrix trilogy.” Uncompromising? It simply isn’t possible to translate Alan Moore’s multilayered comic-book masterpiece into a two-hour movie without making cuts that oversimplify, and it’s certainly not feasible to expect producer Joel…
So wait. It’s a movie about the longest criminal trial in U.S. history, it’s directed by the legendary Sidney Lumet, and it stars . . . Vin Diesel in a wig? In a role originally intended for Joe Pesci? Can Lumet be serious? Actually, no. The characters may be based…
Hollywood’s a sucker for cross-dressing. When the American Film Institute chose the 100 greatest comedies of all time, a pair of drag films — Some Like It Hot and Tootsie — earned the top two slots. From Operation Petticoat to White Chicks, slapping falsies on a dude is the fast…
John Fante’s novel Ask the Dust, published in 1939 and all but forgotten until its 1980 reissue with a Charles Bukowski foreword, is very much a work of thinly veiled autobiography; only the names have been changed to protect the guilty. Its protagonist, a struggling writer named Arturo Bandini, shared…
If you plan to see The Libertine, an artful and brooding period piece about a scandalously debauched earl of the English Restoration, a few words of advice before you leave: Take a peek at the sun. Drink in some fresh air. Consider bidding goodbye to the majority of the color…
A star who turned into a black hole somewhere between the release of, oh, The Wedding Planner and Sahara (or How to Lose a Guy in 10 Days and Two for the Money — really, where to draw the line), Matthew McConaughey is better known of late for shooting tequila…
Anyone who remembers the 1977 Wes Craven film The Hills Have Eyes, which was and remains a piece of Milwaukee-beer shit, remembers it because A) they had a memorable fuck-or-puke night at the aging neighborhood drive-in; B) Michael Berryman’s uniquely hairless mug, which glared from the video store horror sections…
Didn’t Richard Donner retire? A 1980s star-director name, among many, that should now send bolts of discouraging dread down your spine, Richard Donner may well be seeing his filmmaking skills peak with 16 Blocks — even if saying it’s his best, least flatulent, most efficient film is tantamount to saying…
It should be too early in the year to expect a good movie, let alone a great one; anything released prior to the Oscars is bound to be forgotten by spring. Yet here it is, the first — dare we use the term that’s all but been stripped of meaning…
What do little girls want? If we are to follow the emotional heart of Aquamarine, a new film about two 13-year-olds who help a runaway mermaid fall in love, the answer is . . . bling. Hailey (Joanna “JoJo” Levesque, pretty much a Lindsay Lohan ringer) and Claire (Emma Roberts)…
The world première of Dave Chappelle’s Block Party at the Toronto International Film Festival last September had the vibe of a sold-out concert — all those spotlights beaming to and fro in front of a venerable old theater, all that pushing and shoving for the best seats, all those celebs…
If you’re a parent trying to teach your sullen teenage kids that movies with subtitles aren’t all bad, try taking them to see Night Watch (Nochnoi Dozor). Like Christophe Gans’ The Brotherhood of the Wolf or Ang Lee’s Crouching Tiger, Hidden Dragon, this is a foreign-language film that proves that…
If you have any awareness at all of the existence of Running Scared — no, not the Gregory Hines/Billy Crystal cop buddy comedy, but the new film written and directed by Wayne Kramer — chances are you have but one question: How in God’s name does anyone expect us to…
Tommy Lee Jones’ feature directorial debut is probably much as you’d expect: a blast of nostalgia that nonetheless accepts the realities of modernity, which isn’t surprising coming from an actor who’s getting up there in years but has found more fame as an old man than as a young’un. The…
Freedomland manages a seemingly impossible feat: It’s both turgid and overwrought, eliciting the shriek that fades into a yawn without anyone ever noticing. It’s a wholly dreary piece of work, yet another dismal entry on the résumé of director Joe Roth, an only-in-Hollywood hack who’s allowed to make movies –…
Penguins, schmenguins. If you want some new insight into the codes of animal behavior, have a look at Eight Below, an inspirational adventure in which a team of sled dogs marooned in Antarctica fights to survive winter without benefit of man or Milk-Bone. In the process, the intrepid furry heroes…
