Ah, Wallace and Gromit. Who doesn’t get a little lift at the sound of those names? Who doesn’t feel the edges of her mouth begin to tickle toward a smile, her heart grow warmer with images of the love between a (plasticine) man and his (plasticine) dog? Perhaps you’re not…
Crónicas’ biggest claim to fame ought to be that it was Ecuador’s submission for the Best Foreign Language Film Oscar, but what most people tend to notice is that it stars John Leguizamo. Mixed messages ensue: “Oscar submission” makes one think of quality, while John Leguizamo’s name inspires visions of…
Any thing can be anything to anybody, particularly in the case of David Cronenberg’s A History of Violence. If you want to believe that his new film, a loose adaptation of a little-known graphic novel, is a work of damning criticism aimed at the hypocrisy of Americans who believe violence…
Thomas Seyr, the central figure in director Jacques Audiard’s kinetically charged new film The Beat That My Heart Skipped, is a young Frenchman torn between a life of crime and a career as a concert pianist. It’s hardly your usual dilemma — and hardly the usual French film, come to…
Oliver Twist It’s almost impossible to watch Roman Polanski’s rendition of Oliver Twist without drawing parallels between the deprivations endured by the book’s young protagonist and the director’s own brutal boyhood. A Jew raised in Nazi-occupied Poland, Polanski first tackled the Holocaust head-on in his 2002 film The Pianist, but…
Anyone vaguely familiar with the rules of golf knows that you may not improve your lie, ground your club in a sand trap, or — most grievous of all — subtract strokes from your score. This last one apparently never occurred to the makers of a new movie with the…
In 2001, Jonathan Safran Foer made an astounding literary debut. “A Very Rigid Search,” published by The New Yorker, was his hilarious, heartbreaking account of an attempt by a young American man (named, cheekily, Jonathan Safran Foer) to find a Ukrainian woman who had saved his grandfather from the Nazis…
Into the Blue offers precisely what one would expect from the director of Blue Crush and the writer of Torque: beautiful stupidity. Its every frame dripping from a noxious recipe of suntan oil, summertime sweat and salt water, this heist movie (or whatever it is, which isn’t much) delivers a…
Serenity, Joss Whedon’s big-screen spinoff of the 2002 TV show Firefly, which didn’t even last a dozen episodes, is already a cult phenom well before its opening. The show’s DVD boxed set lines the shelf of every fanboy who dreamed of gunslinging in space alongside preachers and prostitutes, and already…
By conservative estimate, Tim Burton stands to rake in half a billion dollars at the box office this year, thanks to a childlike chocolate maker in mauve rubber gloves and, now, to a lively dead girl with marriage on her mind and the timid schlub who falls under her spell…
Flightplan, starring Jodie Foster as a mother who’s either lost her daughter or her mind during a flight from Berlin to New York, is a wonderful movie for about an hour — a moving, gripping rumination on loss, grief and sanity. It works primarily because of its star, whose delicate,…
In the tradition of A Beautiful Mind and Good Will Hunting comes Proof, a psychological drama about a math genius and the people who worship, care for, and endure him. Based on the Pulitzer Prize- and Tony Award-winning play by David Auburn, Proof is a strong film with intense focus…
Back in the mid-’90s, when MTV still flirted with (intentional) comedy shows, it ran one called The State, which featured performers who now appear on the Comedy Central hit Reno 911. There wasn’t all that much worth remembering about The State, but the show did make one significant attempt at…
It would take a critic more churlish than this one to sneer and bare chickenlike talons at Roll Bounce, a formulaic crowd-pleaser that hits familiar marks, but does so well enough that it’s hard to fault anyone involved. The retro-’70s vibe seems kind of obvious, and the irritating Mike Epps,…
When one goes to see a movie titled El Crimen Perfecto (literal translation: The Perfect Crime), it might seem unlikely that the title of this Spanish film has been altered for American audiences. But it has — in Spain, the title is Crimen Ferpecto, which makes the crime a general…
Like hundreds of creative Southerners before them, Phil Morrison and Angus MacLachlan have Thomas Wolfe in their bones. The media notes for Morrison’s first feature, Junebug, don’t mention Wolfe, and the 37-year-old NYU Film School graduate makes a point of distinguishing between literary inspiration and what he, like Paul Schrader,…
If you’re a character in a movie, and the rain is coming down so heavily that you cannot see out your car’s windshield, for the love of God, don’t drive! Mack-truck drivers interpret such conditions as carte blanche to be reckless and will assume that honking their horn provides ample…
A rich family returns to their nice home after a vacation, but something isn’t quite right. The place has been . . . burgled? No, not quite. The stereo that’s missing — it’s in the fridge. The chairs have been stacked into a tower. And there’s a note attached: “Your…
Andrew Niccol’s first two films as writer-director, 1997’s Gattaca and 2002’s S1m0ne, were hollow, sterile sci-fi masquerading as earnest satire: The former told of a near future in which parents could genetically engineer perfect children; the latter proffered an actress who became the most famous and beloved movie star in…
The Exorcism of Emily Rose, which is based on a true story the same way Harry Potter and Star Wars movies are, is the latest — though certainly not the last — movie of this bloody (awful) year trying to scare the money right out of your wallet. It has…
The Man isn’t so much a movie as a parody of one, the kind of thing people in movies about the movie business pitch as outrageous, inept ideas when a director’s going for the cheap and quick giggle. Only in movies like The Player or Bowfinger or Christopher Guest’s The…
Fans of the last two Miramax films from Swedish director Lasse Hallström — Chocolat and The Shipping News — may be happy to know that he has stuck to the exact same formula for his latest, An Unfinished Life. Like its predecessors, this is the tale of an itinerant single…
