Ridley Scott’s Hannibal, with a screenplay by David Mamet and Steven Zaillian, is being released exactly 10 years after The Silence of the Lambs, the film that established Hannibal Lecter as an iconic villain in our culture, right up there with A Nightmare on Elm Street’s Freddy Krueger, Friday the…
The man who made Problem Child, Beverly Hills Ninja and Brain Donors — movies that are to humor what Robert Downey Jr. is to clean living — has, perhaps all too explicably, become Hollywood’s most coveted and celebrated comedic director. “From the director of Big Daddy” — so blares the…
Once again, February is proving to be film-festival season here in the Valley — contained in this shortest month in the calendar are six, count ’em, six, highly diverse cinema smorgasbords. Last weekend was New Times’ very own Flashback Filmfest, year two, and this week marks the inaugural of an…
That anyone should consider making a film of Reinaldo Arenas’ memoir Before Night Falls is curious. That the person to do it should be painter-turned-film-director Julian Schnabel is truly unusual. And that the results should be as good as they are is most remarkable of all. But it would appear…
Im Kwon Taek has long been the best-known Korean director in America; in fact, it would be fair to say that he’s pretty much the only even vaguely known Korean director, and even then, his renown is strictly among festivalgoers. The general distribution of his latest film, Chunhyang, should be…
At last you can take a deep breath and relax, consumers of American cinema, for our trilogy of virtually unrelated cheerleader movies is now complete. Having reappraised youthful sexuality in But I’m a Cheerleader and celebrated ass-kickingness in Bring It On, we now accomplish both, sort of, in Francine McDougall’s…
Watching this film is like watching a donkey being beaten for 90 minutes, so egregiously is the titular character treated and so powerless does she appear against her offenders. That the abuse is treated in a comedic fashion for a good part of the film makes it even more unacceptable…
The Wedding Planner begins with footage of a 7-year-old girl performing a wedding ceremony with her Barbies, a fitting opening since the movie that ensues could almost be the result of a screenwriter literally transcribing the play scenario enacted by a small child and her dolls. If you were (or…
The doomed are often a remarkably energetic and productive lot, especially when it comes to creating portraits of their personal horrors. Themes vary in intensity between slow self-destruction and grand devastation, but in vampirism, the full spectrum of ghastliness may be covered. This is because the imbalance represents so much…
The reviewers are in agreement on Shadow of the Vampire: The 1922 German movie of which it’s a takeoff is great, a masterpiece. You won’t read different here — F.W. Murnau’s Nosferatu, on the set of which the rather roguishly conceived premise of Shadow unfolds, is a must-see. If you’ve…
For his first film as director, The Indian Runner in 1991, Sean Penn chose as his source material Bruce Springsteen’s “Highway Patrolman,” off the album Nebraska. It was a perfect song, and it spawned a nearly perfect movie; Penn, writing his own screenplay about two brothers — one good, one…
There’s definitely something weird going on in the British pop scene. Years after tasteful Yanks allowed classic works such as Saturday Night Fever and Grease to dissolve into our vast iconic array, villainous limey programmers were still hyping them over there. Thus, the dual plagues of disco and ’50s rock…
“This is some damn fine coffee you got here in Twin Peaks. And some damn good cherry pie. But I have to tell you something, sheriff: Last night, I had a dream in which a dancing midget talked backward, thus leading me to believe that our killer is a man…
In case you were wondering, here’s the most fulfilling way to enjoy the alleged thriller Antitrust.Step One: Go shopping for groceries at your favorite supermarket. Step Two: When the smiling employee asks you whether you prefer paper or plastic, choose paper. Step Three: Seek out the young actor known as…
The history of 3-D in the movies is half a century long now — the first major 3-D feature, Bwana Devil, was released in 1952, and there were experiments with the concept earlier than that. There have been dozens of other attempts scattered throughout the decades since, and although some…
Thirteen Days is a suspenseful look at the American government in the grip of a crucial, minute-to-minute, real-life crisis that threatens to destroy the country. No, it is not — as the relatively brief time span referenced in the title makes clear — about the recent election struggles . …
If M. Night Shyamalan makes movies to be seen twice, then Joel and Ethan Coen make films to be pawed over a dozen times. O Brother, Where Art Thou?, an opulent and often slapstick updating of Homer’s The Odyssey by way of Preston Sturges, Robert Johnson and Clark Gable, sneaks…
Skeptics will not take easily to the optimism in Thomas Carter’s teen love story Save the Last Dance, and outright cynics may find the whole thing absurd. The notion that a sheltered white girl from shopping-mall country and a knowing black boy from the inner city can dance their way…
For slightly more than a decade, Chinese martial arts films have — directly and indirectly — gained a growing audience in the U.S. Now the genre may find its greatest breakthrough coming from an unlikely source — director Ang Lee, best known for such comedy-dramas of social manners as Sense…
The War on Drugs has become this generation’s Vietnam, the unwinnable conflict that will, in the end, destroy the innocent and reward the guilty. That, in a coke vial, is the premise of Steven Soderbergh’s Traffic, a film that gives flesh and face to bloodless government statistics and statements seldom…
Finding Forrester is the latest film from Gus Van Sant, one of the true American originals to emerge in the ’80s and ’90s. When Van Sant is at his best, he gives us stories and images we’ve never seen before. Finding Forrester, however, is not Gus Van Sant at his…
The moods of Kenneth Lonergan’s You Can Count on Me are so artfully mingled that it’s difficult to get a fix on this highly personal independent feature. Set in a quiet little town in upstate New York’s Catskill Mountains, it is at once a drama about the unresolved traumas of…
