So where’s the giant fetus?In 1968, we were promised a giant space-fetus floating above our heads this year. It’s not in evidence at this writing, nor is there any sign of the film that ends with the image — the seminal science-fiction movie of its decade and maybe of the…
During the summer of 1994, while most of the world was greeting Robert Zemeckis’ Forrest Gump with dewy eyes and outstretched arms, this critic was grinning his fool head off at a very different tale of a lost, lone hero. While a featherweight Tom Hanks bumbled his lobotomized way through…
In assessing the merits of Quills, the lusty new feature by director Philip Kaufman (Henry & June), it’s tempting to seek correlative characters from popular movies to illustrate just how radical this business is not. In Kaufman’s film — affectionately constructed upon a screenplay by Doug Wright, who adapts his…
More than any other year I can remember, in 2000 I heard people comment on how particularly bad movies were. In retrospect, I think they were right. The normal preponderance of mediocrity in human affairs makes every year seem like a bad movie year, but then when you review the…
In Hollywood, all it takes is one big hit. Sandra Bullock’s ticket to stardom was the 1994 sleeper Speed, a rip-roaring action/crime thriller that co-starred Keanu Reeves. With her cute girl-next-door looks and ingratiating physical klutziness, Bullock established an instant rapport with audiences. That perception of adorableness was further enhanced…
It’s where Walter Huston found paradise at the end of The Treasure of Sierra Madre. It’s where the murdering lovers Steve McQueen and Ali McGraw rode into the sunset at the end of The Getaway. It’s where Thelma and Louise were headed when they ended up at the Grand Canyon…
Playwright-filmmaker David Mamet has the sharpest gift imaginable for shooting down the sins of American greed, the con games people run to get ahead, and the corruption that comes with success. Whether he’s haunting a secondhand junk shop, a poker room or an outlying real estate office, he always finds…
The Family Man offers but a slight variation on the threadbare holiday theme of what life might have been like had Our Hero followed a different path — or never been born. Not only is it a redo of It’s a Wonderful Life — complete with an angel (played by…
Here you will find the ingredients required to spin an audience into throes of fuzzy warmheartedness — the hope, the compassion, the joie de vivre — all blended with the skill of a consummate confectioner. Much like a box of sweets with a convenient guide inside the lid, there are…
What Women Want could be the first movie to win a Clio Award for Advertisement of the Year. No fewer than two dozen products receive prominent placement in the film, from Federal Express to Foster’s Lager to Cutty Sark to L’eggs pantyhose to US Airways. After a while, you begin…
There tend to be two poles when it comes to making semi-autobiographical movies about one’s childhood, and both are designed to make the viewer cry. There’s the “Those were the good old days” approach (see My Dog Skip or Stand by Me), usually depicting the time in a young boy’s…
“See, there’s this pre-Columbian emperor who’s a spoiled brat, and he gets turned into a llama, and he meets this peasant, and the two of them become buddies and save this little village . . .”It takes nothing away from The Emperor’s New Groove, Disney’s delightful new animated feature, to…
Day One: It was just part of the job, just another movie on another afternoon. This one promised to be no more special than any other, save for the casting of Meg Ryan and Russell Crowe. Proof of Life was the movie during which they fell in love, or whatever…
About halfway through the megabudget mountain-climbing adventure Vertical Limit, even the most rugged, thrill-hungry disaster-movie fans may find themselves going numb. Not from the howling weather on the icy faces of K2, in the Himalayas, where the action supposedly takes place. Not from oxygen deprivation. Not even from stretches of…
In 102 Dalmatians, a new brood of puppies is born, one of which, Oddball, doesn’t develop spots. The resulting feelings of inadequacy are such that the poor thing runs away from home and hides in a cave, gets bitten by a bat and turns into a slavering mad dog. Cruella…
At first glance, the new Japanese import Non-Stop seems to be a crude knockoff of German director Tom Tykwer’s wonderful Run Lola Run, but Non-Stop was released in Japan (under the title Dangan Runner) in 1996, two years before Lola was shot. Could Tykwer have seen the film at a…
Unbreakable is such a quiet film that whenever a character speaks above a whisper, it sounds like the shattering of glass in a monastery. It’s also a terribly sad movie; almost no one cracks a smile or a joke, and everyone wears the look of someone who’s just spent the…
There once was a man, and he called himself Seuss Who wrote the best children’s books ever produced. With drawings elaborate, and tales subtly moral Of his greatness, not even this critic would quarrel. Alas, he’s now dead, and so all is not groovy, For someone said, “I know! Let’s…
If the concept of dubious celebrity Ben Affleck romping in a water park with cinematic darling Gwyneth Paltrow and two adorable moppets does not inspire in you spasms of dizziness and nausea, then you may find plenty to tolerate in Bounce, the new romantic dramedy from writer/director Don Roos. This…
The stark simplicity of A Time for Drunken Horses, one of the few films that has slipped out of postrevolutionary Iran to the West, does nothing to obscure its emotional power or the complexity of the geopolitical issues underlying it.Filmed on location in wintry Kurdistan, it is the heartbreaking story…
Little Nicky will redefine the phrase “worst movie ever,” because it might actually be the worst movie ever. Never again will one be able to so casually sling around that phrase about, say, anything produced by Jerry Bruckheimer or anything starring Richard Grieco or Robert Davi or Rodney Dangerfield (who,…
Fascinating and engrossing on every conceivable level, this beautifully constructed feature-length documentary opens with the mournful sound of a train, and images of toys and books sitting untouched in what was once a child’s bedroom. As the credit sequence ends, an elderly woman addresses an unseen interviewer, recalling the day…
