Hannah Gadsby, Cameron Esposito Seize Comedy’s New Normal
Like Nanette, Rape Jokes is in part a deconstruction of comedy itself, particularly the debates in recent years over what should, or shouldn’t, be acceptable in a stand-up set
Like Nanette, Rape Jokes is in part a deconstruction of comedy itself, particularly the debates in recent years over what should, or shouldn’t, be acceptable in a stand-up set
Overall, the film plays more like a survey of Williams’ life, an ordered and abridged history that allows fans to say, “Oh, I remember that,” as a clip from one of his more notable films plays
The film even confronts its own audience in some ways, as it goes from a tale of three people learning more about their identities, to one about the very nature of human identity itself …
… Eating Animals proves persuasive mostly in its diagnosis of what has gone wrong, and in its account of how it went wrong on such a massive scale (through thumbnail histories of KFC, Tyson, and Chicken McNuggets)
At first, Whitney gives off the unpleasant whiff of dirty laundry being aired, as the members of Houston’s inner circle, speaking alone in front of the camera, dish on the family’s secrets
Reed and Rudd deliver plenty of the goofy antics we’ve now come to expect from Ant-Man: size-change cock-ups, charming incompetence on the macho bluster front, etc.
Jay Longino’s sap-filled script turns Drew into a mythological Zen master, dispensing words of wisdom after living a life of solitude and regrets when he’s not chasing after buckets
Film-wise, 2017 is a tough year to follow. But so far this year, we’ve been treated to some excellent releases, especially in the horror and superheroes genres.
This ultra-violent crime thriller, satirizing some of Americans’ most despicable, imperialist impulses, somehow seems as though it is from a quieter, more decent time — and that’s depressing
… As we see the propane tanks and apple boxes and tarps that father and daughter have gathered, we don’t need to be told that these two are not just out camping; they live in the woods
… It’s nice that writer/director Shana Feste’s family comic drama Boundaries shows an adult woman reluctant to let her vagabond dad back into her life — for good reason
The film is about being overwhelmed by Los Angeles, its sprawling indifference, but also about finding your place in it – and even, at times, its welcoming warmth
In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout from on cue
Like 2004’s The Raspberry Reich, a satire of what LaBruce has called “terrorist chic,” The Misandrists soaks audiences in the doings (and I do mean doings) of a radical cell of sexual dissenters
With the fourth sequel opening June 22, Jurassic Park is a perfect movie that holds up 25 years later.
The show’s production designers and costumers clearly revel in Claws’ setting; everything is slightly overdone, Florida-style, right down to the elaborately detailed designs that Desna’s salon specializes in
Right from the opening scene, where Priest shakes down/humiliates a drug-dealing rapper and his crew, SuperFly establishes that no one can ever be as cunning and crafty as him
John Travolta visited Scottsdale last week to promote his new film, Gotti, in which he portrays the notorious Teflon Don.
Several grown men have been playing the same game of tag for the last three decades, spending one month each year doing everything they can to avoid one another, while also doing everything they can to secretly find and touch one another
… The primates of the first section live in a world without tools, and thus don’t know what to make of them; the future humans of the later sections live at the mercy of their tools, and thus don’t question them — until, finally, they do
The main character, this time named Frank (Nick Offerman), like (High) Fidelity‘s Rob, owns a record store and lectures women about music as if they don’t have opinions — or ears — of their own
Now, a slick young billionaire (voiced by Bob Odenkirk) has a plan to make superheroes popular (and legal) again by televising their exploits, and chooses Elastigirl over Mr. Incredible as the face of this new campaign …