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Film, TV & Streaming

Showing 529 - 550 of 6002
For Better or Worse, <i>Pose</i> Is a Queer Story Told Straight

For Better or Worse, Pose Is a Queer Story Told Straight

By Lara ZarumJune 9, 2018

From the very first scene, Pose boasts a purposefully slick veneer of artificiality — it’s a little too art-directed, a romanticized version of poverty straight from the set of Rent

<i>Won’t You Be My Neighbor?</i> and Mr. Rogers Insist Humanity Can be Better Than This

Won’t You Be My Neighbor? and Mr. Rogers Insist Humanity Can be Better Than This

By Lara ZarumJune 7, 2018

Through archival footage of Rogers both on and off the set of his iconic show, as well as interviews with his family, friends and former crew members, Won’t You Be My Neighbor? draws a flattering yet complex portrait of its subject, who died of cancer in 2003

Cinemania Finally Gives You … <i>Head</i> from The Monkees!

Cinemania Finally Gives You … Head from The Monkees!

By Serene DominicJune 7, 2018

FilmBar sets screening on 50th anniversary of Monkees’ one and only film, Head.

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Jodie Foster Rules Over the Talky, Scattered Crime Drama <i>Hotel Artemis</i>

Jodie Foster Rules Over the Talky, Scattered Crime Drama Hotel Artemis

By April WolfeJune 7, 2018

… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel

Jules Feiffer’s Words Keep <i>Bernard and Huey</i> Just Buoyant Enough

Jules Feiffer’s Words Keep Bernard and Huey Just Buoyant Enough

By Alan ScherstuhlJune 7, 2018

That elfin wit Rash plays Bernard, the schlemiel-ish old college pal/rival of David Koechner’s carousing Huey, a one-man sexual Sherman’s March blazing from the Hudson to the East River

<i>Ocean’s 8</i> Barely Bests a Tricky Problem: How to be Familiar <i>and</i> Surprising

Ocean’s 8 Barely Bests a Tricky Problem: How to be Familiar and Surprising

By Alan ScherstuhlJune 6, 2018

Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast

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Seeing the Worst Coming Only Makes <i>Hereditary</i> More Terrifying

Seeing the Worst Coming Only Makes Hereditary More Terrifying

By April WolfeJune 6, 2018

The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse

<i>Mary Shelley</i> Desperately Needs the Spark of Life

Mary Shelley Desperately Needs the Spark of Life

By Alan ScherstuhlJune 6, 2018

… Much like a paper by a student who has read the wiki but not the work, Mary Shelley marshals its evidence without revealing more, without connecting to the soul of the matter.

In the Infuriating <i>American Animals</i>, Dumb Criminals’ Remorse Is Their Reward

In the Infuriating American Animals, Dumb Criminals’ Remorse Is Their Reward

By Alan ScherstuhlJune 1, 2018

For all its jittery heist drama, American Animals is, above all else, an accidental study in just how much white kids can get away with and still be welcomed back into society

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The Symphonic Doc <i>Mountain</i> Inspires Nothing Short of Awe

The Symphonic Doc Mountain Inspires Nothing Short of Awe

By Alan ScherstuhlJune 1, 2018

Its heights might on occasion yank your stomach to the theater floor, but much of Mountain is a bit of a bliss-out, a chance to contemplate the planet’s most remote and dangerous places and our relationship to them

Claire Denis Beguiles Again in Piercing <i>Let the Sunshine In</i>

Claire Denis Beguiles Again in Piercing Let the Sunshine In

By Danny KingJune 1, 2018

… This is essentially Denis’ movie about the dating game — the highs and lows, the setbacks and surprises, the wine-filled meals and sublimely silent car rides flush with the possibility of either consummation or heartbreak

Much More Than a GIF, <i>Upgrade</i>’s Betty Gabriel Is Ready to Work

Much More Than a GIF, Upgrade’s Betty Gabriel Is Ready to Work

By April WolfeMay 31, 2018

Because one pivotal Get Out close-up displays Gabriel’s astounding emotional range in just three seconds, the actor’s face has become memorialized in GIF-dom

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<i>Upgrade</i> Builds a Better Hyper-Violent Retro-Future Thriller

Upgrade Builds a Better Hyper-Violent Retro-Future Thriller

By Alan ScherstuhlMay 31, 2018

Teeming with abandoned buildings full of thugs to be dispatched, ruled over by shadow corporations and wicked artificial intelligence, Whannell’s film plays like the smarter-than-you’d-think 2018 version of some 1988 kill-’em-all VHS cheapie

An Aggressive, Restless Film Adaptation Can’t Quite Kill Chekhov’s <i>Seagull</i>

An Aggressive, Restless Film Adaptation Can’t Quite Kill Chekhov’s Seagull

By Alan ScherstuhlMay 31, 2018

Michael Mayer’s sunnily bleak all-star film, I fear, squirms through the first acts of Chekhov’s masterpiece the way a cast member’s 8-year-old cousin might in a theater seat

Jennifer Fox’s <i>The Tale</i> Lays Bare the Truth About Childhood Abuse

Jennifer Fox’s The Tale Lays Bare the Truth About Childhood Abuse

By Lara ZarumMay 30, 2018

In The Tale, both repression and revelation take the form of stories — the stories we tell ourselves and the sometimes irreconcilable stories other people tell about us

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<i>The Americans</i>,  <i>Barry</i> Take Aim at the Heart of the Romantic Antihero

The Americans, Barry Take Aim at the Heart of the Romantic Antihero

By Lara ZarumMay 30, 2018

Both series unfold from the perspective of the “bad guys,” and both juxtapose a life of crime with the mundane everyday — for Barry, the world of desperately aspiring Los Angeles actors, and for The Americans, the Jennings’ domestic life …

<i>On Chesil Beach</i> Gets the Emotions of a ’60s Honeymoon Right but Not Quite the Intimacy

On Chesil Beach Gets the Emotions of a ’60s Honeymoon Right but Not Quite the Intimacy

By Bilge EbiriMay 25, 2018

The young newlyweds are violin virtuoso Florence (Saoirse Ronan) and history grad Edward (Billy Howle), each very much in love with but still painfully awkward around the other

Paul Schrader’s <i>First Reformed</i> Dares to Stare Right Into the Void

Paul Schrader’s First Reformed Dares to Stare Right Into the Void

By Alan ScherstuhlMay 25, 2018

The morality-tale obviousness of First Reformed’s plotting at times proves at odds with its sensitive detailing of its characters’ inner and spiritual lives

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The Movies’ Fixation on the End Times Can’t Be Good For Us

The Movies’ Fixation on the End Times Can’t Be Good For Us

By Bilge EbiriMay 22, 2018

Apocalyptic stories (as well as post-apocalyptic ones) have been with us forever; as a species, humans are uniquely fascinated with our own annihilation

These Summer Movies Might Actually Be Good

These Summer Movies Might Actually Be Good

By Chris KlimekMay 22, 2018

Here are our picks for the most promising movies due in the Memorial Day-to-Labor Day frame that was responsible for keeping Hollywood solvent, a long time ago, in a galaxy far, far away.

<i>Book Club</i>’s Cast Is So Strong It Makes You Forget, at Times, the Premise of <i>Book Club</i>

Book Club’s Cast Is So Strong It Makes You Forget, at Times, the Premise of Book Club

By April WolfeMay 17, 2018

This story revolves around four successful women in a monthly book club who start reading E.L. James’ Fifty Shades of Grey trilogy, which inspires them to rekindle their own love lives

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<i>Solo</i> Doesn’t Quite Got It Where It Counts, Kid

Solo Doesn’t Quite Got It Where It Counts, Kid

By Alan ScherstuhlMay 17, 2018

Like Rogue One, the other standalone Disney Star Wars film that suffered a famously troubled production, Solo has a just-finish-the-movie quality to it, an uncertainty about the pacing and seriousness of developments in its own story

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