Happy-Go-Lucky’s Sally Hawkins Just Might Get You to Cheer Up

The protag of Mike Leigh’s Happy-Go-Lucky is a modestly gaudy people’s heroine industriously repairing the social world, one frayed interaction at a time. After extended cameos in two previous Leigh films (as a resourceful pop tart in All or Nothing and the date-raped rich girl in Vera Drake), fine-boned Sally…

New York Cop Drama Pride and Glory Holds the Audience Hostage

Pride and Glory doesn’t make any effort to disguise what it is: a barely-held-together string of vignettes lifted from every cop movie ever made (save, perhaps, Turner & Hooch). It serves up clichés bound together by a flimsy, bored-out-of-its-own-skull story about bad cops, black sheep, good sons, and a climactic…

Oliver Stone Assigns Motive to W.’s M.O., but at This Point, Who Cares?

W. may be less frenzied than the usual Oliver Stone sensory bombardment, but in revisiting the early ’00s by way of the late ’60s, this psycho-historical portrait of George W. Bush has all the queasy appeal of a strychnine-laced acid flashback. Hideous re-creations of the shock-and-awful recent past merge with…

Oliver Stone on W. and the President Who Would Be John Wayne

Sitting in the back of the restaurant at New York’s über-chic Royalton Hotel in an orange polo shirt and khakis, Oliver Stone looks out of place among the bed-headed hipsters otherwise casing the joint (unless, perhaps, he’s instigating his own, retro-Yale fashion trend). Given that the perfectionist director, who has…

The Secret Life of Bees Is All Honey, No Sting

A young woman fights off her brutal husband; a gun goes off; a marble spins on the floor where a toddler sits unattended. From B-movie beginnings, The Secret Life of Bees, a family drama set in the civil rights-era South, chugs along pleasantly like a television special tailored for the…

Keira Knightley Royally Screws Up The Duchess

The Duchess is the best women’s movie of the past few months. Don’t get too excited: Sex and the City, Mamma Mia!, and The Women set the bar so dismally low that almost any film with a dame in it who doesn’t channel her identity only through buying, boogieing, and/or…

Blindness Adaptation Nails the Bleak Before Succumbing to the Sap

The most recent example of bleak chic, Fernando Meirelles’ mostly harrowing adaptation of José Saramago’s international bestseller Blindness mixes the high-velocity pace and stylishness of the Brazilian director’s breakout City of God with the Portuguese author’s thinly metaphysical horror thriller. Unflinching at best and treacly at worst, the film unveils…

Ed Harris Goes Traditional with Appaloosa

“Course he’s willing to die. You think we do this kinda work ’cause we scared to die?” So speaks Virgil Cole (Ed Harris) about his sidekick Everett Hitch (Viggo Mortensen), as the two stare down a posse of bad guys in Appaloosa, New Mexico, circa 1882. Cole and Hitch, who…

Miracle at St. Anna: Spike Lee’s WWII Drama Is an Epic Bore

On some level, you’ve got to hand it to Spike Lee. There are probably less than a handful of directors working in Hollywood today who could put together the financing for a three-hour war movie lacking any marquee names and performed largely in Italian and German with English subtitles. Spielberg…

Chuck Palahnluk’s Choke Adaptation Needs the Heimlich

There’s a whole lotta fucking going on in Choke, Clark Gregg’s adaptation of Chuck Palahniuk’s first-person novel about a sex addict named Victor Mancini with severe Mommy issues — fucking in a cramped airplane bathroom, on a barnyard’s itchy haystack, in a grimy toilet stall, in a hospital chapel even…

Ricky Gervais sees dead people in Ghost Town

It takes a good while for Ricky Gervais to warm up in Ghost Town; it takes even longer for the audience to warm to Ricky Gervais. During the opening minutes of Ghost Town — an occasionally effective mash-up of Ghost, The Sixth Sense, and The Frighteners — Gervais, as Bertram…

Burn After Reading: the latest Coen brothers mockery

Masters of the carefully crafted cheap shot, Joel and Ethan Coen have built a career on flippancy. Given their refusal to take anything seriously — least of all the enthusiasm of their fans — the brothers surely got a chuckle from an upcoming academic tome, The Philosophy of the Coen…