Weitz’s film, concerning a Mossad team’s 1960 hunt for Eichmann, is a sort of Argo Goes to Munich, blending heist movie jollies with some moral inquiry into justice, revenge, torture and execution
Peretz could have given each potential pairing equal time in the story, but he sticks with the most evocative of the two; Juliet, Naked has its charms, and they are named Rose Byrne and Ethan Hawke
This is a portrait of a decades-long partnership coming to a head but also of the American literary community reckoning with what so many know to be true: Women are still not seen as “serious” writers or contenders for major prizes
Happytime Murders, though, demands that we take its world somewhat seriously, that we invest ourselves in the tensions between people and puppets, that we buy into its by-the-book serial-killer narrative …
Through the stories of how these teens ended up at God’s Promise, Cameron Post suggests the rigid hegemony of American life, the all-too-common story of religious belief perverted in the service of fitting in
Bujalski frames most of Support the Girls as an almost real-time delineation of chaos, but his storytelling elegance — delicate, nearly invisible foreshadowing; cogent evocations of backstory — adds reflective layers to the surface anarchy
This new version, directed by Danish filmmaker Michael Noer, brings to the story a refreshing intensity and sweep, and even a sense of adventure
Filmed in black and white in the wintry countryside of Görlitz, Germany, Schwentke’s vision of a man who would be posthumously named the Executioner of Emsland is chilling and yet, at times, almost farcical
Local horror buff Victor Moreno will show Romero zombie flicks and Japanese curios.
Secrets get exposed, cultural barriers get smashed and re-erected, and every apparent villain will prove heroic and every hero something of a villain
Though Moselle’s narrative feature debut, Skate Kitchen, tells a fictional story, the director again draws heavily from her subjects’ own personal histories, this time constructing a story about teen girls finding themselves and each other at the local skate park
The plot concerns skinny dreamer Davey, a fanatic for the Bigfoot creatures and aliens of supermarket tabloids, suddenly convinced that the loner cop (Rich Sommer) who lives across the street must be a serial killer responsible for a spate of missing kids
Scandal ensues when the charming Nick Young (Henry Golding), secretly heir to a wealthy Chinese-Singaporean real estate fortune, brings his accomplished, lower-class Chinese-American girlfriend, Rachel Chu (Fresh Off The Boat’s Constance Wu), home for his best friend’s wedding
Marlina, a meditative neo-Western, surveys Indonesian hills and men’s dehumanization of women without indulging in splattery fantasy
… It’s a hero-dude adventure movie based on a Michael Crichton-esque paperback techno-thriller, which means we hear more science talk than is strictly necessary, get a tour of a gleaming research facility and meet a billionaire finder (Rainn Wilson) who just might have ulterior motives
Based on a crazy true story (or, as an opening title puts it, “some fo’ real, fo’ real shit”), BlacKkKlansman follows the efforts of Ron Stallworth (John David Washington), an African-American detective in the Colorado Springs police force
… Like Father, it turns out, is an emotional, heartfelt depiction of what it’s really like to reconnect with a loved one after they’ve hurt you irreparably, but with some solid laugh lines and none of the melodramatic sap
The critically-acclaimed film was given an R-rating by the MPAA.
After receiving a 1,000-piece jigsaw as a gift at that party, Agnes discovers a surprise talent and passion: She can put one together in just a chunk of an afternoon
Miriam (Léa Drucker) has quit her job and absconded with the family’s two kids — 11-year-old Julien (Thomas Gioria) and almost-18 Josephine (Mathilde Auneveux) — after, she explains, experiences of spousal and child abuse
An assemblage of TV clips sets the stage: Ninety percent of all children have died within the space of a month, with the survivors gaining a variety of superpowers that the government catalogs in a color-coded chart ripped right from the Bush administration
McKinnon has for a couple of years now been on a collision course with just this sort of role, one that, in order to fulfill the dictates of programmatic movie plotting, demands she surrender much of what audiences love about Kate McKinnon
