Film, TV & Streaming

That elfin wit Rash plays Bernard, the schlemiel-ish old college pal/rival of David Koechner’s carousing Huey, a one-man sexual Sherman’s March blazing from the Hudson to the East River

Simply put, the clockwork heist that Ocean’s 8 promises (and, by its end, dazzles with) limits the film’s ability to offer what you might actually want from it: the chance to relish this cast

The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse

… Much like a paper by a student who has read the wiki but not the work, Mary Shelley marshals its evidence without revealing more, without connecting to the soul of the matter.

For all its jittery heist drama, American Animals is, above all else, an accidental study in just how much white kids can get away with and still be welcomed back into society

Its heights might on occasion yank your stomach to the theater floor, but much of Mountain is a bit of a bliss-out, a chance to contemplate the planet’s most remote and dangerous places and our relationship to them

… This is essentially Denis’ movie about the dating game — the highs and lows, the setbacks and surprises, the wine-filled meals and sublimely silent car rides flush with the possibility of either consummation or heartbreak

Because one pivotal Get Out close-up displays Gabriel’s astounding emotional range in just three seconds, the actor’s face has become memorialized in GIF-dom

Teeming with abandoned buildings full of thugs to be dispatched, ruled over by shadow corporations and wicked artificial intelligence, Whannell’s film plays like the smarter-than-you’d-think 2018 version of some 1988 kill-’em-all VHS cheapie

Michael Mayer’s sunnily bleak all-star film, I fear, squirms through the first acts of Chekhov’s masterpiece the way a cast member’s 8-year-old cousin might in a theater seat

In The Tale, both repression and revelation take the form of stories — the stories we tell ourselves and the sometimes irreconcilable stories other people tell about us

Both series unfold from the perspective of the “bad guys,” and both juxtapose a life of crime with the mundane everyday — for Barry, the world of desperately aspiring Los Angeles actors, and for The Americans, the Jennings’ domestic life …

The young newlyweds are violin virtuoso Florence (Saoirse Ronan) and history grad Edward (Billy Howle), each very much in love with but still painfully awkward around the other

The morality-tale obviousness of First Reformed’s plotting at times proves at odds with its sensitive detailing of its characters’ inner and spiritual lives

Apocalyptic stories (as well as post-apocalyptic ones) have been with us forever; as a species, humans are uniquely fascinated with our own annihilation

Here are our picks for the most promising movies due in the Memorial Day-to-Labor Day frame that was responsible for keeping Hollywood solvent, a long time ago, in a galaxy far, far away.

This story revolves around four successful women in a monthly book club who start reading E.L. James’ Fifty Shades of Grey trilogy, which inspires them to rekindle their own love lives

Like Rogue One, the other standalone Disney Star Wars film that suffered a famously troubled production, Solo has a just-finish-the-movie quality to it, an uncertainty about the pacing and seriousness of developments in its own story

This is what it’s like to be 27 and kind of a mess and totally sleepy and kind of miserable and suffering a headache and not sure who you are or who you should trust

Ali Wong: Hard Knock Wife has a pungent scent all its own — a combination of baby head, breast milk, sex fluids and that acrid, vinegary extreme perspiration that either comes from bodily trauma or not sleeping for three days straight

Here’s a woman who has spent her entire life helping others and not being a piece of shit, and unless she or the club touched you personally, you probably didn’t know she existed until you read this or saw the film

Tiny Shoulders starts to feel like a publicity exercise for the brand — an attempt to humanize the company by showing us the real women behind all that plastic