Good and useful news: Noises Off, originally scheduled to close Sunday, September 12, has been extended through Sunday, September 19, at Phoenix Theatre. It’s a hot ticket — and this is pretty much a once-in-a-lifetime opportunity to see crisp, impeccably executed farce at its best.Now and then, I look at…
When asked what she loves about Flamenco dancing, Angelina Ramirez pauses. The reasoning, she says, is hard pin down. “I like the community aspect of it. When you go to Spain you don’t have to be a professional Flamenco dancer to be able to participate,” she says. “It’s very social.”…
Reading this week’s “Stage” column, it’s clear that Robrt L. Pela has a certain amount of contempt for The Dinner Party’s Neil Simon. It’s nice to know, however that he was able to look past one man to find a few things to enjoy about this piece presented by Desert…
Every eight years or so, I give Neil Simon another try. Usually I do this by trying to make it through one of the perfectly terrible film translations of his treacly and annoying stage plays by watching one on TV. (I always fail to get much past the middle of…
From time to time, our theater guru, Julie Peterson, dishes helpful advice before you head out the door with your own or your companion’s disability. If you have more tips, especially about local theater-going with non-mobility impairments, please comment or drop her a note. Any time you’re planning to see…
Does Saucy Jack and the Space Vixens sound like it borrowed a few tactics from the Rocky Horror Picture Show play book? Sure it does, but think about it. Doesn’t that make it sound like a hell of a lot of fun? Robrt L. Pela seems to think so: I…
Saucy Jack and the Space Vixens was written, the story goes, for people who felt more at home in bars and discos than they did going to the theater. Its authors set the show in an intergalactic nightclub called Saucy Jack’s Cabaret Bar, and wrote the show’s audience into the…
On August 25, Phoenix Theatre will be opening its mainstage season with a production of Michael Frayn’s Noises Off. In preparation for staging this three-act farcical play, the Phoenix Theatre crew spent the last five weeks building a three-ton set, built entirely in-house, from scratch.Noises Off is a farce (read: disastrous…
Lauren Froderman took home Fox television’s So You Think You Can Dance trophy last night, beating out the remaining male competitors and proving that a girl who just graduated from Greenway High School in Phoenix can definitely kick some national dance competition butt.(Apologies if you’re still waiting to watch your…
courtesy of Great Arizona Puppet Theater It’s Hunca Munca and Tom Thumb, the title characters of Two Bad Mice. I try to bring a kid along (a friend or relative, not a random kid I’ve abducted from the street) when I’m reviewing a kids’ show. I can’t really gauge audience…
To be honest, we’re not too into musicals. Then again, when Robrt L. Pela gives a show like Hale Centre’s Annie Get Your Gun a favorable review, the least we can do is give it a shot. Robrt L. Pela on Annie Get Your Gun: It hardly seems fair to…
It hardly seems fair to comment on Hale Centre Theatre’s hyper-cheerful Annie Get Your Gun. In a better world, a community theater production of the Irving Berlin perennial would be exempt from the considerations of any critic. But it’s summer in Phoenix, which means three months of warhorses performed by…
Phoenix Theatre’s Hormel New Works Festival wrapped up Sunday night with the presentation of the 24-Hour Theatre Project, five fully produced 10-minute plays that had been created entirely in the previous 24 hours.Actors (who were cast as an unassigned group a week or so ago) showed up Saturday night in…
Not every theater company can take a metal-roofed, tin-ceilinged building with no central A/C in a Phoenix July (“an oven,” as Soul Invictus artistic director Franc Gaxiola astutely described it in his curtain speech) and turn it into a venue that’s relatively comfortable if you dress appropriately and sit still…
It was an evening of cat calls, curtain calls, and glittery dresses as seven Valley bartenders competed for the third annual “Dancing with the Bars” championship at the Wyndham Phoenix Hotel on Sunday, July 25. The Dancing with the Stars-inspired competition, sponsored by Sway Events and benefiting the One Voice…
Recently, ’80s one-hit-wonder Ah Ha broke up. They realized that the 1980s were over and even though “Take On Me” was a catchy song, its time in the limelight was over. They got the memo. Desert Stages apparently didn’t. Their rendition of The Wedding Singer is full of nostalgia, but…
It had to happen eventually; I’m reviewing a play I’ve already reviewed (presented by a different theater company, of course). And you’ll have to click here to find out how cool I think Rupert Holmes, who co-wrote Curtains, is, because I can’t beat that horse again either. Mesa Community College’s…
It’s late to be further bemoaning the state of the American musical. Like it or not, staged musicalizations of popular motion pictures have become a genre of their own, and a staple at little theaters like Scottsdale’s Desert Stages. I attended this company’s mainstage production of The Wedding Singer with…
I guess Footloose definitely merits inclusion in this summer’s Festival of Uncomfortable Truths — for example, if you work too hard as a religious leader, you risk neglecting and alienating your family to the extent that your daughter takes up with someone who’ll beat her for trying to break up…
I did some stand-up comedy once, and it was excruciating. It was at the Sweets And Beats Comedy Hour; I signed up for a slot at the open mic, went up to do my thing for five minutes, and it felt like an eternity. An eternity without laughs. From that…
Ben Turk isn’t trying to turn you in to an anarchist. But if you want someone to discuss it with, he’s okay with that. “The idea is to get people to think about questions they maybe haven’t before,” Turk says, explaining his purpose for his DIY company Insurgent Theater’s latest…
“Three is a magic number,” as Schoolhouse Rock! taught us. Ever traveled or, God forbid, lived with two of your friends? If it’s not unanimous, someone always loses, and there’s always that tipping-point tension — no spare legs to keep the whole thing upright.In Yasmina Reza’s Art, currently at Desert…
