It’s tough, even in a town with a large theatrical talent pool, to cast an all-singing, all-dancing musical revue. In Phoenix, it’s next to impossible. And when you’re talking about a show that relies on the talents of six African-American hoofers with big voices, the casting choices are even more…
Watching Phoenix Theatre’s production of Lizard is like listening to a bad joke told by a beautiful person. Dennis Covington’s meandering morality tale has been superbly mounted and is acted by one of the most impressive local casts in recent memory. But beneath the glitzy facade and despite all the…
Before there was Tony Kushner’s Pulitzer Prize-winning Angels in America, there was the playwright’s adaptation of Pierre Corneille’s L’Illusion Comique, written by the French lawyer and dramatist in 1635. Like Kushner, Corneille is better known for a later drama: His 1637 neoclassic tragedy Le Cid enjoyed enormous critical success. Today,…
In an early draft of Phoenix playwright Carol DuVal Whiteman’s Katsina, the story ends with a stage full of extras dressed as elaborate approximations of Hopi kachinas. But Whiteman spiked the scene when her Hopi friends objected to public representations of their deified ancestral spirits. Would that some benevolent organization…
The musty old warehouse at Second Street and Roosevelt is better known for its garish mural than for what goes on inside. After five spotty seasons, Planet Earth Multi-Cultural Theatre is still looking for its audience, even while its founders–Peter Cirino and his wife, actress Mollie Kellogg Cirino–are preparing to…
Crispin Glover is not a kook. Never mind the time he almost beheaded David Letterman with a platform-heeled karate kick. And forget the rumors that he hangs upside down from high-rise apartment balconies to relax. We won’t discuss Glover’s collection of doll eyes neatly arranged according to size, or his…
Michael Grady is a playwright/actor/director who not only turns out fine work, but is content to stay in Phoenix putting out for a theater audience that’s still developing a taste for new plays. Lured here in the late ’80s by Actors Theatre of Phoenix, Grady has remained, appearing in lead…
In 431 B.C., Euripides’ Medea took last place in an annual festival of plays held in honor of the god Dionysus. Although the dramatist usually took top honors in this contest, the judges were loath to give high marks to a play in which a mother kills her own children…
The last time you looked, the Orpheum Theatre was probably either boarded up or maybe hosting a concert by your favorite rock band, say R.E.M. But last week, after a 12-year-long, $14 million fix-up, the formerly run-down vaudeville house was reopened as a mirror image of its younger self. Its…
There’s nothing worse than bad Shakespeare. A successful mounting of any of the Bard’s plays requires confident acting and a director and cast with a detailed knowledge of the material. Nevertheless, a pair of local stages have been overtaken by comedies of error that provide abundant laughs–both intentional and otherwise–at…
There are more reasons not to see Shear Madness than there are alternate endings to the play. The device of this senseless shriek fest, which is now playing at Theater League’s New Scottsdale Playhouse, is that it allows its audience to select one of four different wind-ups to its highly…
On opening night of Phoenix Theatre’s production of Chapter Two, when its star Kathy Fitzgerald took her final bows, she received what could only be called conventional first-night applause. One could be excused for having expected a rafter-shaking ovation. This was, after all, Fitzgerald’s first new role since she returned…
The king of Seventies comedy still reigns in Phoenix: Rare is the community theater company that each season doesn’t feature one of Neil Simon’s plays. What’s baffling is that they’re about as pertinent as a pet rock. But even more perplexing than the popularity of Simon’s shopworn comedies is the…
In his critically hailed HBO special that aired in June, Chris Rock joked about how people say what they think other people want to hear. For example, he noted, nobody really wants to be an organ donor–people just say they do. Organ donation is for people with no faith, he…
If theater is a microcosm of the universe, then we must be a godforsaken, consumer-driven society, more interested in what’s under the tree than how it came to grow there. I’m not a Christian, but I’m concerned with the low state of holiday plays in our fair city: Not one…
Theater has been braving the AIDS pandemic for more than a decade. Larry Kramer’s The Normal Heart in 1985 was the first of a subgenre of plays that has evolved beyond commentary on the crisis to a more artful form of entertainment. Paula Vogel’s The Baltimore Waltz, which is being…
Planet Earth Multi-Cultural Theatre has made a name for itself with overwrought dramas and dark translations of prominent plays. Whether this uncommon company is presenting a contemporary comedy or a Shakespearean tragedy, its productions are distinguished by stacks of video screens and crowds of women in singed nightgowns, stroking potfuls…
The title is Accelerando, but the current production at Arizona State University’s Prism Theatre isn’t a musical. It’s a romance, of sorts. She (Roxane Policare) and He (Stan Weightman Jr.) are young New Yorkers who meet at a party. They go back to his place, undress, and tussle under the…
The strengths of Sam Shepard’s plays are in the peculiar humor he brings to them. In most of his better-known work, the playwright/actor blends comedy and tragedy, pulling laughs from unseemly places. A new staging of Shepard’s True West that’s produced by a local movie company called Sudden Death Pictures…
No one would be served by the suggestion that Mesa Little Theatre’s The Pinchpenny Phantom of the Opera is a sterling production, or even that there could be a sterling production of this sophomoric spoof by Dave Reiser and Jack Sharkey. That wonderful title suggests that we may get to…
Early in the beautifully written first act of Edward Albee’s Three Tall Women, one of the characters says to another, “I remember everything!” To which the other replies, “That must be a burden.” Albee, at 68, knows that memory can be a wily, artful thing, and freeing oneself of one’s…
I didn’t much like The Cocktail Hour, which surprised me. Not only because it’s one of the more amusing and sophisticated of A.R. Gurney’s comedies, but because the company presenting the play–and the director who staged it–normally offers more muscular fare. This time out, director Betty St. George and her…
