The Creeping Nobodies

Toronto-based post-punkers The Creeping Nobodies might have started as a one-off collaboration at a tribute show for The Fall, but the band’s come a long way from imitating The Fall’s Mark E. Smith for kicks. The Creeping Nobodies celebrate their fifth anniversary on Thursday, and while lead Creep Derek Westerholm…

Nitzer Ebb

While you can credit (or blame) The Pixies for kicking off this whole reunion thing of the past couple of years, it’s nice to see the trend extending beyond just graying college-rock outfits (and a few ’70s arena-rock groups, too). Now back from the band graveyard is Nitzer Ebb, the…

Red Elvises

One can’t help but chuckle at the Red Elvises’ appropriation of cheesy American culture — the colorful bow-tie tuxedos, the lopsided pompadours, singer Igor Yuzov’s lounge-lizard panache. The band’s flair for fusing Russian folk music with American surf, rockabilly, and even disco led to interesting concoctions like “I Wanna See…

The Queers

Long before mall punk bands like Fall Out Boy and New Found Glory were all the panic at the disco, there was a time in the ’80s when punk fans were often called “fags” and targeted for ass-kickings by jocks and good ol’ boys. So it made sense in 1982…

Cyndi Lauper

Holy crap — Cyndi Lauper is 53 years old! This bit of trivia is shocking but true. The girl who just wanted to have fun is all grown up now. Somehow she managed to survive the ’80s, but the same cannot be said for some of her decade-of-decadence contemporaries (whatever…

Fusion Music Festival

If you want to see the best and brightest of the Valley’s turntablist scene (without having to hit up a dozen different nightclubs), beat feet down to this ginormous rave and music shindig at the Icehouse, 429 West Jackson Street, on Friday, September 22. In addition to appearances by Philly’s…

Waylon Jennings

Bob Dylan sang “to live outside the law you must be honest.” Waylon Jennings covered Dylan on his first independent album, cut in Phoenix in 1964. His sound was born here, and it was here that he died, in February 2002, but the Texas-born Jennings was known as the Nashville…

Seven Nights of DJs and Dancing

Thursday 21Axis/Radius: Nightlife Revisited with DJs J. Alan, & Phanton (hip-hop, dance) AZ 88: Mr. P-Body (synth pop, electro) Baja Tilly’s: DJs Richy Rich and Big Latin (reggaeton, hip-hop) Bunkhouse Lounge: DJ Doom (dance) Camus: KURRENT_affairs with Pablo Gomez (electronic, rock, pop, avant-garde) Chilly Bombers: DJ Statik (hip-hop, dance) Club…

In Bloom

Skin shows aren’t usually on my agenda for quiet Thursday nights, so I’m a bit startled to find myself watching a band with the drummer banging away wearing only a pair of peach-colored jockey shorts from American Apparel on a recent Thursday. Needless to say, my dollars are staying in…

X-Tina on Main Street

Christina Aguilera’s new double disc, Back to Basics (RCA), is a sonic nod to the music of the ’20s, ’30s and ’40s. But a closer look reveals how the album also draws inspiration from classic double albums of the ’60s, ’70s and ’80s. Blonde on Blonde (1966) On Back to…

A Warm, Fuzzy Feeling

You’ll find no hit singles as big as “Psychotic Reaction” or “96 Tears” in The Knights of Fuzz: The Garage & Psychedelic Music Explosion, 1980 to Now DVD (Dionysus), historian Timothy Gassen’s fanboy’s-eye view of the post-Nuggets wave of garage bands Little Steven’s always going on about. But it’s certainly…

Death Rocks

How many boxed sets are really worth $65? A Life Less Lived: The Gothic Box (to be released Tuesday, September 19, by Rhino Records) is — this package is like the Nuggets of the goth rock world. There are three CDs, a DVD containing a dozen videos, and a book…

Same As It Ever Was

The more things change, the more they stay the same. And so it goes — at least musically — with Akron, Ohio, residents Dan Auerbach and Pat Carney, a.k.a. The Black Keys. In 2002, the youthful duo released The Big Come Up, a self-produced, basement-recorded debut that featured fuzzed-out, fatback…

Tigerface

It doesn’t sound like Murder Time. There’s no screaming. No tension. No sign of a struggle. The opening track, “It’s One Thing,” starts off sounding like the kind of thing old prog-rock bands were doing in the ’80s — big, dramatic keyboards offset by the muscular chunkity-chunk of metallic guitar…

Drunken Immortals

Before we even marinated our eardrums to Hot Concrete — the Drunken Immortals’ third full-length album that’s out to steal your mind with positive hip-hop vibrations and community-building lyrics — there was already word on the street that it was hot shit. You see, this seven-piece, live hip-hop groove machine…

Lambchop

Albums without lyric sheets can frustrate fans who want to memorize the words they’re singing and pore over their poetic meanings. But with Lambchop, it’s best not to worry about such specifics; this melancholy country-operatic Nashville collective led by Kurt Wagner has always expressed itself more sublimely in its baroque…

Xiu Xiu

If the creepy painting on the cover of Xiu Xiu’s The Air Force is supposed to depict singer-songwriter Jamie Stewart as Jesus, it’s ironic at best: Unlike the traditional singer-songwriter — who plays a guitar and makes sense of the chaos of our lives by making sense of his/her own…

Ben Kweller

Not many kids can say their high school band touched off a major-label bidding war. But it was after leaving Radish in the lurch at 17 that indie whiz-kid Ben Kweller made good on the hype with Freak Out, It’s Ben Kweller, the first in a four-part series of increasingly…

Blowfly

Blowfly’s Punk Rock Party is so filthy Tipper Gore might spontaneously combust if anyone ever played it for her. The original nasty rapper’s new album is scandalous, obscene and hilarious. Blowfly, the 60-year-old pervert with a penchant for performing in shiny capes and masks, has been doing dirty for a…

Brian Jonestown Massacre

Some musicians maintain legendary rivalries for decades on end — try getting Sting and Stewart Copeland to bury the hatchet and you’ll see what we mean. Very rarely, though, is a band’s epic enmity so huge it can carry a feature-length art-house documentary like 2004’s Dig!, which chronicles the Dandy…

Dwight Yoakam

The most Elvis-like country performer since Elvis, Dwight Yoakam established his cred as a country traditionalist when he kicked off his first major-label release with a spirited cover of “Honky Tonk Man,” a Johnny Horton classic from the ’50s. Two great albums later, Yoakam topped the country charts with “Streets…

Southern Culture on the Skids

A little more than 10 years ago, I actually proposed to my girlfriend at a Southern Culture on the Skids New Year’s Eve show in New Jersey. Why not, I figured — there was the onstage limbo contest, the fried chicken the band threw into the crowd, SCotS’ kitschy slow-dance…