By Steve Brennan
Like it or not, Pharell Williams' "Happy" is likely to be the top-selling single of 2014. And yes, its buoyant '60s soul vibe and simple, positive message is modern pop perfection. But scanning the rest of this year's biggest hits, one is struck by a consistent theme: All of these songs are distinctly apolitical. Contemporary slang and the loosening of certain taboos aside, they could have been written in 2002, 1992, even 1982.
Granted, popular music is supposed to provide some kind of escape from everyday life. However, shouldn't it also sometimes reflect what is going on in the wider world at the time of its release? We are not living in a post-Auto-Tune utopia. Persistent economic problems, a deliberately obstructionist U.S. Congress, NSA surveillance, an expanding underclass -- these are issues that seem ripe for lyrical lampooning by contemporary musicians. But no, we'd rather just twerk across America with Miley Cyrus.