Squeeze's Chris Difford on England, John Cale, and the Paul McCartney-Produced Record That Never Came to Be

Coachella is a weird beast: In addition to hotly tipped acts like Avicii and Justice, big name standard bearers like Radiohead and The Black Keys, and holy-hell-they're-reuniting bands like Refused and At the Drive In, there's always a few bands that have just kept soldiering on, whose break-ups and hiatuses have been quiet or nonexistent. This year's no different. Look closely at the lineup and you'll see classic bands like The Buzzcocks, Atari Teenage Riot, Madness, and Squeeze.

If that last name gives you pause, just think about it for a second. "Tempted?" "Pulling Mussels from The Shell?" "Black Coffee In Bed?" All stone cold classics. The UK band -- lead by songwriter Glenn Tilbrook and lyricist Chris Difford -- harnessed the energy of punk and pub rock and paired with with melodic sophistication, wry wit, taut R&B rhythms, and New Wave sheen. The band is still going, too. In 2010 they released Spot the Difference, which featured their greatest hits re-recorded. A strange choice, sure, but a smart one (for licensing) and it gave keyboardist Stephen Large a chance to play the first iPad solo in the history of Late Night With Jimmy Fallon.

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Jason P. Woodbury is a music and pop-culture writer based in Phoenix. He is a regular contributor to the music blog Aquarium Drunkard and co-host of the Transmissions podcast.