Audio By Carbonatix
Artist: The MelvinsTitle: The Bride Screamed MurderRelease date: June 1Label: Ipecac
To me, The Melvins have always been one of those bands that more people say they like than actually listen to. Could be wrong, but that’s my perception. I certainly respect their longevity (they’ve been around damn near 30 years), status as an influencer of artists who hit the big time, and time-tested adherence to a particular aesthetic.
But I can’t say I was super-excited when the longtime Seattle band’s new record hit my desk. I was just mildly curious. They’ve always been known as the godfathers of grunge, but outside of the first two records by Mudhoney — which I always thought of as a garage band at heart — I didn’t get into grunge that much.
So here we have the 19th record by The Melvins (say, I heard they played the other night in town. Anyone have any reports on the show?). If you like The Melvins, you will not be disappointed by The Bride Screamed Murder. If you’re lukewarm, as I am, you likely not join the converts.
The word everyone uses to describe The Melvins’ sound is “sludge” or “Sabbath-esque.” Well, it’s late Friday afternoon, and I’m not in the frame of mind to reinvent the band-labeling wheel, and those two words are totally apt descriptions.
In the end, I’m just not into the material, but there are two things I really liked about The Bride Screamed Murder: the production and the drumming. It’s simply the best rock-drumming performance I’ve heard on a record this year. Stomp stomp stomp. It’s huge, dextrous, and flat-out kickass. As far as the production, I love the overall sound of the record. So many metal bands are compressed to hell and juiced up with studio technology to make them sound larger than life. The Melvins’ sound is monstrous — but unadorned. You can hear the room they recorded this disc in. You can picture them in the studio, just making a punishing racket.
I just wish the songs would grab me. The Bride Screamed Murder is for die-hards only.
Best song: “Pig House.” There’s also a nearly unrecognizable version of The Who’s “My Generation” that’s worth noting.Rotation: Low-mediumDeja vu: 1990I’d rather listen to: Pierced Arrows’ Descending ShadowsGrade: B-
“Nothing Not New” is a yearlong project in which New Times editorial operations manager Jay Bennett, a 41-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about it. Why? Because in the words of his editor, Martin Cizmar, he suffers from “aesthetic atrophy,” a wasting away of one’s ability to embrace new and different music as one ages. Read more about this all-too-common ailment here.
The “Nothing Not New” Archives
June 3 — Crystal Castles: Crystal Castles II (B-)June 2 — The Cool Kids: Tacklebox (B-)
May 27 — What Cheer? Brigade: We Blow You Suck (D)May 26 — Stone Tempe Pilots: Stone Temple Pilots (C)May 25 — Karen Elson: The Ghost Who Walks (C+)May 24 — Damien Jurado: Saint Bartlett (B)
May 21 — Woven Bones: In and Out and Back Again (B-)May 20 — Band of Horses: Infinite Arms (B-)May 19 — Sleigh Bells: Treats (D-)May 18 — The Black Keys: Brothers (B+) May 17 — LCD Soundsystem: This Is Happening (A-)
May 14 — Odds ‘n’ Sods: CocoRosie, Natalie Merchant, The Sadies, and moreMay 13 — Male Bonding: Nothing Hurts (B)May 12 — Flying Lotus: Cosmogramma (B-)May 11 — The Dead Weather: Sea of Cowards (A)May 10 — The National: High Violet (B+)
May 7 — Shapiro: Shapiro (C)May 6 — Gogol Bordello: Trans-Continental Hustle (C-)May 5 — Broken Social Scene: Forgiveness Rock Record (A-)May 4 — The New Pornographers: Together (B-)May 3 — The Hold Steady: Heaven Is Whenever (A-)
April 30 — Sharon Jones & the Dap-Kings: I Learned the Hard Way (A)April 29 — Hole: Nobody’s Daughter (D+)April 28 — Odds ‘n’ Sods: Toro y Moi, Merle Haggard, Freedy Johnston, and moreApril 27 — Unnatural Helpers: Cracked Love & Other Drugs (B+)April 26 — Harlan T. Bobo: Sucker (A-)
April 23 — Roky Erickson and Okkervil River: True Love Cast Out All Evil (A-)April 22 — Caribou: Swim (D)April 21 — The Apples in Stereo: Travellers in Space and Time (C-)April 20 — Jakob Dylan: Women + Country (D+)April 19 — Cornershop: Judy Sucks a Lemon for Breakfast (C)
April 16 — Frightened Rabbit: The Winter of Mixed Drinks (B+)April 15 — Coheed and Cambria: Year of the Black Rainbow (D-)April 14 — Foxy Shazam: Foxy Shazam (D, later changed to a B)April 13 — MGMT: Congratulations (B+)April 12 — Odds ‘n’ Sods: Robyn Hitchcock, RJD2, Scorpions, and More
April 9 — Murder by Death: Good Morning, Magpie (B-)April 8 — Harlem: Hippies (C+)April 7 — Slow Club: Yeah, So (B)April 6 — Black Francis: NonStopErotik (B+)April 5 — Growing: Pumps! (F)
April 2 — Holly Golightly and the Brokeoffs: Medicine County (B)April 1 — Dum Dum Girls: I Will Be (A-)March 31 — The Dillinger Escape Plan: Option Paralysis (B+)March 30 — Local Natives: Gorilla Manor (B)March 29 — The Bird and the Bee: Interpreting the Masters: Hall & Oates (C)
March 26 — Eddy Current Suppression Ring: Rush to Relax (C+)March 25 — Let’s Wrestle: In the Court of the Wrestling Let’s (B)March 24 — Goldfrapp: Head First (D)March 23 — She & Him: Volume 2 (A-)March 22 — Broken Bells: Broken Bells (C+)
March 19 — Locksley: Be In Love (B)March 18 — jj: jj no. 3 (C-)March 17 — Xiu Xiu: Dear God, I Hate Myself (D+)March 16 — Drive By Truckers: The Big To-Do (B-)March 15 — April Smith and the Great Picture Show: Songs for a Sinking Ship (C)
March 12 — The Morning Benders: Big Echo (C+)March 11 — Black Rebel Motorcycle Club: Beat the Devil’s Tattoos (B)March 10 — Acrassicauda: Only the Dead See the End of War (C-)March 9 — Titus Andronicus: The Monitor (B+)March 8 — Ted Leo and the Pharmacists: The Brutalist Bricks (A)
March 5 — Liars: Sisterworld (A-)March 4 — Gorillaz: Plastic Beach (A-)March 3 — Johnny Cash: American VI: Ain’t No Grave (B+)March 2 — High on Fire: Snakes for the Divine (C)March 1 — Joanna Newsom: Have One on Me (C)
Feb. 26 — Freeway & Jake One: The Stimulus Package (D)Feb. 25 — Past Lives: Tapestry of Webs (B-)Feb. 24 — Shout Out Louds: Work (B)Feb. 23 — Brian Jonestown Massacre: Who Killed Sgt. Pepper? (B+)Feb. 22 — Shearwater: The Golden Archipelago (D+)
Feb. 19 — The Strange Boys: Be Brave (B+)Feb. 18 — Tindersticks: Falling Down a Mountain (A)Feb. 17 — Lightspeed Champion: Life Is Sweet! Nice to Meet You (C-)Feb. 16 — Adam Green: Minor Love (B-)Feb. 15 — Juliana Hatfield: Peace & Love (B+)
Feb. 12 — Massive Attack: Heligoland (C-)Feb. 11 — The Watson Twins: Talking to You, Talking to Me (C-)Feb. 10 — Hot Chip: One Life Stand (B+)Feb. 9 — You Say Party! We Say Die!: XXXX (B+)Feb. 8 — Allison Moorer: Crows (B)
Feb. 5 — Joe Pug: Messenger (C)Feb. 4 — The Soft Pack: The Soft Pack (A)Feb. 3 — Polysics: Absolute Polysics (B-)Feb. 2 — Pierced Arrows: Descending Shadows (A-)Feb. 1 — The Brunettes: Paper Doll (B-)
Jan. 29 — Basia Bulat: Heart of My Own (C)Jan. 28 — Priestess: Prior to the Fire (B)Jan. 27 — The Magnetic Fields: Realism (B)Jan. 26 — Four Tet: There Is Love in You (D)Jan. 25 — Delphic: Acolyte (C+)
Jan. 22 — The Hot Rats: Turn Ons (B+)Jan. 21 — Los Campesinos!: Romance Is Boring (A-)Jan. 20 — Midlake: The Courage of Others (D-)Jan. 19 — Laura Veirs: July Flame (B+)Jan. 18 — Beach House: Teen Dream (C)
Jan. 15 — Charlotte Gainsbourg: IRM (B)Jan. 14 — OK Go: Of the Blue Colour of the Sky (D)Jan. 13 — Eels: End Times (A-)Jan. 12 — Spoon: Transference (B)Jan. 11 — Editors: In This Light and On This Evening (D+)
Jan. 8 — Surfer Blood: Astro Coast (B+)Jan. 7 — Yeasayer: Odd Blood (C-)Jan. 6 — Cold War Kids: Behave Yourself EP (B+)Jan. 5 — Vampire Weekend: Contra (D+)Jan. 4 — Texas Tornados: Está Bueno! (B)
