Best Professional Theater 2014 | Arizona Theatre Company | People & Places | Phoenix

Okay, so they dared to torture us last season with the roller-disco monstrosity Xanadu. But the state's professional theater, also brought us a stunning production of Jon Robin Baitz's Other Desert Cities and David Ives' Tony-nominated Venus in Fur, beautifully acted by Michael Tisdale and Gillian Williams and expertly directed by Shana Cooper. This is the sort of fine theater art we've come to expect from our big-budget professional theater, and they have rarely let us down. Sadly, this year ATC brings us the departure of artistic director David Ira Goldstein, who truly revolutionized the company with co-productions with estimable playhouses in other parts of the country and with his stylish taste in plays and musicals.

It's almost unfair to laud Childsplay for its many finely tuned theatrical productions, because this professional company has had 37 years to learn to do children's theater right. And, boy, have they! Last year alone, they thrilled (and educated) kids all over the Valley with The Miraculous Journey of Edward Tulane, based on Newbery Award winner Kate DiCamillo's beloved book, and of course their popular favorite, Schoolhouse Rock, Live!, based on those old, educational singalong Saturday morning cartoons. Original productions, tried-and-true hits, and a whole lot of parent-pleasing professional theater make this children's theater the one to beat.

Twenty years ago or more, Phoenix Theatre operated a black box, where those of us who liked edgier plays and musicals could go for offbeat theater. Late last year, the now-93-year-old company unveiled, as part of its multimillion-dollar renovation, a new black box space. Those of us who once laughed ourselves silly over campy Charles Busch comedies are older now and want more from our offbeat theater — and we got it with this neat, comfortable black box space, where the company has offered smart, first-rate productions like Ruthless! The Musical and Avenue Q.

Stray Cat's 11th season may not be remembered as its best ever, but no one who saw the company's production of The Whale, starring Damon Dering and directed by the company's founder, Ron May, will forget it. This also was the year Stray Cat scored a coup with film and TV star Zach Braff's All New People, neatly directed by Louis Farber and featuring Michael Peck, Angelica Howland, and filmed cameos from some estimable local talent. And the year that May really swung out with a fine production of Kristoffer Diaz's difficult The Elaborate Entrance of Chad Deity. It's this kind of rare, risky fare that gets us going back, again and again, to see what Stray Cat has uncovered this time.

Set "somewhere in Canada" in 1920, Mary's Wedding offered a simple story about a transplanted city girl who doesn't like the country so much until she meets a pretty farmhand named Charles. Canadian playwright Stephen Massicotte's sweet memory play got a first-class staging, early this year, by this often iffy local company. Heidi Haggerty's charming performance in the title role was matched by Kent Welborn's neatly naïve leading man, both situated on a simple, versatile set by Deb Mather Boehm and nicely directed by theater veteran Carol MacLeod. Theatergoers who'd written off this tiny troupe were pleased to find a simple, simply excellent production on its stage. Here's to more of the same in 2015.

If culturally minded people remember anything about Valentine's weekend 2014, it will be this: That was the weekend Stray Cat Theatre brought us The Whale. Samuel D. Hunter's story about a morbidly obese man seeking redemption at the end of his life featured a career-making performance by actor Damon Dering, trussed up in a fat suit as the beleaguered title character, Charlie. Dering's artful performance steered clear of scenery chewing and revealed the fragility behind a dying man's histrionics — all with the help of director Ron May, who handled expertly the highs and lows of a play that's neither comedy nor drama. On Eric Beeck's drearily smart set, which provided pages of background on the dismal grayness of Charlie's life, a fine supporting cast (particularly a darkly comic Michelle Chin as Charlie's mean-spirited teenaged daughter) managed not to be eclipsed by Johanna Carlisle, who turned up with a giant performance, late in the second act of this, the very best play of last season.

The behemoth stirs! We're grateful that this smart professional theater company didn't just blow away after plunging into financial despair in 2012. Instead, artistic director Matthew Weiner and his staff got busy raising funds, booking plays, and spending a whole season as vagabonds, working out of several different playhouses. And what work! Patti Suarez in 4000 Miles; Joseph Kremer and Christopher Haines in A Steady Rain. And an all-star cast of local talent in Good People. As if that weren't enough, Actors Theatre then launched a summer stock season, featuring a pair of plays in repertory (Karen Zacarias' The Book Club Play; Sandy Rustin's The Cottage) as well as many one-person shows (most notably, Sally Jo Bannow's The Boob Show and The Agony and Ecstasy of Steve Jobs, featuring a star turn by Ron May). Here's to hoping this company continues to thrive.

There are times when living in Phoenix can be tough. Politics, the endless sprawl of chain restaurants and strip malls. But Vintage Phoenix, a Facebook page managed by local musician and photographer Dave Driscoll, doesn't make Phoenix perfect, but the vintage pictures, of canoe paddlers at Encanto Park, the Tovrea stockyards in the late '40s, and a downtown remarkably different looking than the one we're used to, do help remind us of a true community, of a shared historical perspective that often is built over or demolished by our local government and industry. More than 31,000 folks "like" the page, and they regularly take to the comments section to reminisce and share more photos. It may be just pictures popping up in a social media feed, but a couple of times a week, it feels like home. Pictures evoking nostalgia for a time in which some of us lived, and some of us just wish we had.

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