There’s a photograph of Sarah Polley from the Disney movie One Magic Christmas. The still is enormously endearing, less because the Canadian 4-year-old looks adorable in blond bangs and a woolly cap than because her lower lip is stuck out in an attitude of mutinous pugnacity that foretells not only…
What is it with the third installments in superhero franchises? For whatever reason — let’s just call it the lack of fresh ideas commingled with the love of money — they always strike out swinging their third time up to bat. It happened with Superman, when Richard Pryor became a…
Speaking as the new owner of a puppy, I can say definitively that a dog is both more and less annoying than the average person. Year of the Dog makes much the same point with its pack of uncontrollable pooches, including a cute beagle that rips into the wrong bag…
“10 people will fight. 9 people will die. You get to watch.” So proclaims the poster for The Condemned, a movie executive-produced by World Wrestling Entertainment owner Vince McMahon, and starring self-professed “whup-ass machine” Stone Cold Steve Austin and oft-suspended former soccer star Vinnie Jones. So can someone explain where…
For all the huzzahs deservedly heaped upon 2004’s Shaun of the Dead, in which it took a good long while to discern the living from the walking deceased, the zombie-flick spoof was little more than an extended sketch taken, oh, 19 minutes beyond its breaking point. But the movie, created…
This week’s generically titled studio suspense thriller, Fracture, has the good sense to begin where last week’s generically titled studio suspense thriller, Perfect Stranger, ended — with the solution to that tedious riddle: Whodunit? The answer is Anthony Hopkins as Ted Crawford, an aeronautical engineer whose pockets of money and…
To fully appreciate the merits of Vacancy, you need to have the proper technology. Digitally projected lurid images and THX-amplified creaks and moans are all well and good, but what director Nimród Antal’s creepy cockroach of a thriller really cries out for are the shabby delights that can be found…
A reformist disciple of Dogme, that earth- and camcorder-shaking movement wherein waves are broken and celebration is cause for alarm, Danish director Susanne Bier makes what you’d call emotional disaster movies. Her Open Hearts and Brothers, melodramas at once feverishly pitched and finely tuned, deploy paralysis and war, respectively, to…
Holland’s gift to world cinema, Paul Verhoeven, can be a very bad boy and a very good filmmaker. Any of his movies could have been titled Basic Instinct — not least his epic World War II thriller Black Book, in which a Jewish chanteuse who watched her family be massacred…
Grijs Verleden (Gray Past) is the title the Dutch historian Chris van der Heijden gave to his 2001 account of Holland’s morally murky landscape under Nazi occupation, and it’s the phrase director Paul Verhoeven (RoboCop, Total Recall, Starship Troopers) uses to explain why he returned to his home country after…
Writers Christopher Landon and Carl Ellsworth receive sole credit for the movie Disturbia, which is surprising, as the film clearly is based on both a previously published work (a 1942 short story by Cornell Woolrich titled “It Had to Be Murder”) and the John Michael Hayes-penned, Alfred Hitchcock-directed, Academy Award-nominated…
Frylock, Meatwad, and Master Shake — the three stooges inhabiting Aqua Teen Hunger Force Colon Movie Film for Theaters — will survive should you choose to avoid their movie. Truth be told, you’ve probably never heard of them anyway, unless you’re a regular viewer of Cartoon Network’s Adult Swim programming…
There exists some debate about audience familiarity with the term “grindhouse,” and even a certain confusion about the origins of the word itself — whether it refers to the movies that comprised a gilded age of exploitation cinema or to the all-night urban theaters in which they were regularly shown…
Lest we imagine that the publishing industry went to hell only after James Frey and J.T. Leroy clambered on board, here comes Lasse Hallström to remind us of a literary dustup emblematic of a much earlier nadir for American mendacity. The Hoax parses the rise and fall of faker Clifford…
Neutrally retitled from the more pertinent Orchestra Seats, Avenue Montaigne is a French soufflé of the old school, a romantic comedy set in Paris’ arty district, where neurotic writers and actors wring their manicured hands and — at least in flirty little numbers like this one — rub shoulders with…
At various times over the last decade, David Fincher, Sam Mendes, and Michael Mann were attached to direct Scott Frank’s screenplay for The Lookout, about a brain-damaged high-school hockey stud who’s smooth-talked by distant acquaintances into robbing a small-town bank. That Frank — best known for straightening and sharpening the…
As Charlie Fineman, a New York dentist who lost his wife and three young daughters in one of the September 11 plane crashes, Adam Sandler sports a mass of bedraggled locks and walks with his head hung low, the sounds of the city drowned out by The Who or Bruce…
Packed with female book club members, a screening of Mira Nair’s The Namesake left no doubt about the film’s target audience. If anyone’s going to flock to this warm and likable tale, it’s going to be women, yet it seems a pity to confine the movie behind the bars of…
By Monday afternoon, they had all left Austin — the A-minus-listers who flew into Texas to promote their studio releases with encroaching release dates. Among them were Shia “Is He or Isn’t He Indy Jones?” LaBeouf touting the Rear Window redo Disturbia and Joseph Gordon-Levitt, Isla Fisher, and Matthew Goode…
Hardcore fantasy geeks will relish role-playing every enemy of The Last Mimzy, a family-style sci-fi adventure whose director Bob Shaye is better known to them as the evil wizard — the alien executive who peed all over the Fellowship. Shaye, in his other job as New Line Cinema topper, has…
In the same week that sees Adam Sandler playing a grieving 9/11 widower in Reign Over Me, another lone figure reeling from post-traumatic stress fills the central role in the new Antoine Fuqua-directed thriller, Shooter. Named Bob Lee Swagger and played with appropriately gruff machismo by Mark Wahlberg, he’s a…
The space-time continuum smacks the shit out of Sandra Bullock in Premonition, the latest in nonlinear nonsense, but the fun really gets going when she starts to smack back. As Linda Hanson, humdrum mom of Anywhere, U.S.A., Bullock sets things up by doing her thing, effortlessly establishing the girl next…
