On January 1, one day after his 27th birthday and fresh from his honeymoon, James McAvoy slips into a coffee shop in the fashionably scruffy North London borough of Crouch End, where he’s bought a house with his bride, the actress Anne-Marie Duff. Rumpled in baggy jeans and carrying a…
Long ago, there reigned a clan of Speedo-wearing militaristic psychopaths called the Spartans. They lived beneath a copper-colored sky, on a copper-colored land, amidst copper-colored fields, in copper-colored homes made from copper-colored stone. Legend has it they would outline their copper-colored pecs and abs with ash to enhance their manly…
I am sorry to say that Peter did not feel very well that evening. His mother put him to bed and gave him a dose of chamomile tea. “One tablespoon to be taken at bedtime.” But Flopsy, Mopsy, and Cottontail had bread and milk and blackberries for supper. — Beatrix…
Mexico City — Less than 24 hours after the Oscars capped the remarkable year of the so-called “three amigos” by handing out three awards to Pan’s Labyrinth and one to Babel, I boarded a plane bound for Mexico City and the fourth edition of the Mexico City International Contemporary Film…
It may be hard out there for a pimp, but it ain’t too hard for a writer-director to make a movie whose marketing hinges on the lurid spectacle of Samuel L. Jackson pulling a half-naked Christina Ricci around on a chain. This sort of cheap trick is what they used…
When editorial cartoonist turned amateur sleuth Robert Graysmith published Zodiac, his sprawling, meticulously researched account of the titular San Francisco serial killer, he wrote that the tale was “the most frightening story I know,” and it was easy to understand why. Graysmith was writing in 1985, some 16 years after…
Wild Hogs — in which John Travolta, William H. Macy, Tim Allen, and Martin Lawrence play emasculated suburbanites taking a cross-country motorcycle trip to rediscover their masculinity — doesn’t even sound like a real movie when you describe it to people. They give you that yer-shittin’-me stare, as though it were even possible to make […]
In 2003, Mark and Michael Polish made Northfork, though just barely; the brothers, also responsible for the art-house fave Twin Falls Idaho, about conjoined twins who fall for the same woman, lost funding just before shooting began and had to beg for money to finish their reverie about lost souls…
Morally irreproachable and flat as a pancake, Michael Apted’s Amazing Grace is set among bickering House of Commoners in late-18th-century London, but the movie belongs squarely in the currently blooming subgenre of Whites Saving Dark-skinned Victims of Empire. Or at least it would be were Apted able to bring a…
Having endured civil war, separation from their families, hunger and dehydration during a 1000-mile trek through sub-Saharan Africa, and 10 years in a U.N. refugee camp while awaiting the myriad challenges of resettlement in the United States, the three “lost boys of Sudan” in God Grew Tired of Us can…
The Number 23 grips hold of one stupid idea and runs so far with it, in so many directions, to such little purpose, that it nearly won me over from sheer berserkoid effort. In a nutshell, this nutso movie observes what happens to a man (Jim Carrey) under the impression…
We Americans complain of Big Brother’s unblinking eye in the post-Patriot Act, corporate e-mail era — as well we should. But, as The Lives of Others makes plain, things could be worse. Set in East Berlin circa 1984, when one in 100 citizens of the German Democratic Republic was a…
Ticket buyers to Factory Girl are in for a drag; not even the drag queens will like it. Cookie-cut from the biopic assembly line, this life and times of Edie Sedgwick (Sienna Miller) is the least-fabulous movie imaginable about the most-fabulous persona in that most fabulous of scenes, the Warhol…
Let us applaud, on principle, Anthony Minghella’s return to small-scale storytelling. Breaking and Entering marks his first original screenplay since the oddball romcom Truly, Madly, Deeply (1991), and a retreat from the jumbo-size period pieces of his Miramax-to-the-max phase. Overrated as they are, The English Patient, The Talented Mr. Ripley,…
You remember Andrew Ridgeley, don’t you? He was the other guy in Wham!, the one who found himself stranded in 1986, after George Michael had faith enough in his own talents to break up the act. Ridgeley went on to record one solo record, before CBS Records decided, yeah, no…
In December 2002, ABC’s 20/20 ran a story on Eric O’Neill, an undercover surveillance specialist for the Federal Bureau of Investigation. The piece was titled “Spycatcher,” because it was O’Neill who, at a mere 27 years old, helped bring down Robert Hanssen, an FBI agent who, for more than two…
Midway through last April’s press screening of Paul Greengrass’ United 93, I made a mental note to watch the end credits for the name of the actor playing the role of Ben Sliney, the National Operations Manager of the Federal Aviation Administration’s command center in Herndon, Virginia. On September 11,…
As we’ve seen from British comedian Sacha Baron Cohen’s guerrilla-style comedy hit Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, one actor’s deadpan dedication to heavily accented cultural naiveté in the face of unsuspecting victims can do wonders. Actor Ken Davitian, who played Borat’s bearded and…
What could be scarier than yet another PG-13 creepfest serving up pasty, staggering ghouls with stringy hair? Why, the same PG-13 creepfest set against the high-tension backdrop of . . . sunflower farming! Sorry, fear fans, if you were expecting a Ferry-Morse catalog of floral fright from The Messengers, the…
Though I’m sure it’s purely coincidental, the decision to release the Diane Keaton-Mandy Moore rom-com Because I Said So with the scent of this year’s Sundance Film Festival still fresh in the air provides us with an excellent opportunity to review the wayward career of the movie’s director, Michael Lehmann…
The Good German, directed by Steven Soderbergh from Joseph Kanon’s best seller, is as much simulation as movie. Specifically, it’s the simulation of a 1940s private eye flick. It’s not just a period film, but one that feigns being shot as it would have been in that period. Filmed for…
Park City, Utah — Even by the lacerating standards of recent Sundance docs Why We Fight and Iraq in Fragments, the nonfiction at this year’s fest felt, well, real — alarmingly so. Indeed, after doing battle with films about U.S. policies on Iraq, Darfur, and global warming, this critic was…
