The word on the street is that vinyl is back. Given
Whatever one’s logical (or illogical, given the crazed nature of many LP fanatics) conclusion, vinyl is again becoming a very popular musical form. And Phoenix has a plethora of vinyl-buying options, new and used, from antique shops,
Here's what I've come up with, ranked from worst to first.
10. Bookmans Entertainment Exchange
With stores all over the Valley, these two book mongers, despite the quantity each stock, seem to sell vinyl only as happenstance. It feels as if people just bring in the vinyl to unload since they’re selling their books, and don’t really care what they get for it. That’s why Perry Como and Lawrence Welk albums rival REO Speedwagon’s Hi-Infidelity and the Eagles' Their Greatest Hits as shelf fillers. If you're patient, diligent, and determined, you can find the occasional rarity or oddity. (My last score was Chelsea’s self-titled 1970 debut featuring Peter Criss before KISS for one-fifth
Resale Concert Tickets
9. Tracks in Wax
If you dig hard enough, some gems will appear at nice prices, particularly in the jazz, oldies, and Latin sections. But you have to sift through the plethora of commons no one wants: George Benson, Herbie Mann, Sergio Mendes, far too many children’s albums and soundtracks, mainstream rock, and, heaven forbid, Kenny G. Do take a gander at the aptly named “unexplainable” boxes. There's some quirky stuff in there. It’s also worth a slow walk through to check out the posters on the ceiling and albums lining the walls. There’s plenty of
8. Asylum Records
It’s loud in Asylum. If you’re looking for metal, hardcore, or something heavier, this is the place to shop. It’s well-stocked with similar cassette and DVD offerings too — the Valley’s best selection. There’s plenty of rock too, and particularly hard rock albums, but also some marginal titles filling the newer Mesa location. A little thinning of the herd is needed. The condition of the vinyl here, well, let’s just say there were many rougher pieces. Sadly, even beat-to-hell Beatles albums are marked way up, and even common rockers — $2 LPs at best in so-so shape — were pushing $6 and up. Admittedly, I didn’t look at everything — it was too loosely organized. A few divider cards for specific artists, then a bulk card for the rest of that letter. This makes it too frustrating to dig hard. Avoid the world section too, as it’s packed with non-world easy listening and whatever doesn’t fit easily somewhere else. Give the store a once-over, and on repeat visits, stick to the new arrivals section. Asylum is filled with lots of cool memorabilia, like a museum to metal, with a giant KISS stand-up, signed drum heads, guitars, picks, posters, and other eye candy. Let’s not forget the cat, too. I think he runs the show.
7. Zia Records
With five stores spread across the Valley, Zia has perhaps the greatest trove of vinyl when all combined —everything from classic rock to hair metal to punk and indie-rock, modern soul to disco to outlaw country. Given the volume, if you're willing to dig enough, there are treasures — used and new — to be found here. In-house buyers make up for the basic used wax, with tasty reissues ranging from obscure ’60s acts to modern pop-punks and alt-country stalwarts. Best of all is the world section — one of the coolest in Phoenix. Handpicked crazy psychedelic oddities from places as diverse as Iran, India, Turkey, Asia, Brazil, and any number of African locales fill the bins. There is also a decent selection of jazz (again, good reissues), funk, DJ offerings, and some box sets (check out the clearance bins for steals), but with such a large inventory, you have to look hard to find
Stinkweeds definitely has the best indie rock, indie folk, and
5. The Record Room
Owner John Rose says the customers at his new North Phoenix location are “a little different,” but the used records coming in the door are “much more diverse” than in his former Scottsdale space. And, with almost 2,000 square feet, Rose has plenty of room to showcase it all. Make the new arrival bins (there are several) your first stop inside the doors. That’s the place to start digging, as the Record Room consistently turns over albums. Why? Great pricing throughout, even on harder-to-find items, such as the original, recalled Lynyrd Skynyrd Street Survivors for $8.99 (sorry, bought it), Fear’s self-titled debut at $40, and several copies of Bowie’s Diamond Dogs around $20. The entire store, which offers classic T-shirts and posters as well, is stocked throughout with quality titles, with a nice emphasis on punk (especially 45s), reggae/ska and rockabilly — including Wildman Hasil Adkins wax. It’s also probably the best place to find those unusual compilations full of soul, R&B, and rockabilly classics you never knew existed, along with rock classics. Taking advantage of the expanded space, several numerous bargain bins of $1 to $3 LPs beckon crate diggers. There are also some CDs as well, and a nice offering of 45s, but vinyl rules here. Plus, just looking at the albums filling the wall is like a trip through musical history.
4. Record High
“We specialize in clean records,” the guy behind the counter says when asked what the store specializes in. Simple enough, but this laid-back shop also features a broad selection of audiophile pressings, both new and used, from Analogue Productions, Mobile Fidelity Sound Labs, Nautilus, DCC, and more. Jazz is also a specialty, with plenty of rarities and classics, reissues, and originals from the 1950s to now. Yet, all styles of rock, metal, blues, and a bit of everything else can be found in the well-organized and tidy shop. The new arrival bin overflows with goodness. Every record is stored in an audiophile sleeve, which is nice. Turntables and other audiophile gear — inner and outer sleeves, cleaners, et cetera, can be picked up here. There’s even a record cleaner where customers can clean their “dirty vinyl” for $1. A working jukebox sits against one wall (remember those?). Perhaps the coolest feature is a standalone jazz room, complete with acoustical foam on the walls and sink-in-and-melt chairs where buyers can listen to jazz in a relaxed setting before buying. It can’t be much better than that.
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3. The “In” Groove
There is something almost antiseptic about this store, with its metal and wood bins and cement floor, every LP packaged in Japanese-style plastic sleeves. Those used to getting their hands dirty digging through record stacks won’t at the “In” Groove, and that’s not a bad thing. Owner Mike Esposito takes great pride in this care for albums — cleaning each before stocking on the shelf — as well as the selection stocked in the packed space. The new arrivals bin greets visitors and is always overflowing with stellar classics from artists such as Grateful Dead, the Beatles (Mike is something of an expert on the band), Derek and the Dominos, and Pink Floyd, along with unexpected prog offerings from If and Jade Warrior, psych rarities from the Standells and Shadows of Knight, classic jazz (no Kenny G here), reggae, African (lots of Fela Kuti), and punk. My last cool find: a near-mint copy of Cheech and Chong’s Big Bamboo with the original giant rolling paper. Looking for MFSL, 200-gram Classic DCC releases? This is the place. Rare ’50s and ’60s jazz has a home here too, as well as quality reissues. Plus, the back room has a nice selection of audio gear, especially turntables, for the newbie vinyl hounds. And don’t miss my favorite bin, labeled simply: "WTF?" Anything could be in there.
2. Double Nickels Collective/Ghost of Eastside Records
1. Revolver Records
Revolver Records has gotten even better with a second Phoenix location on East Thomas Road. While the Arcadia store is a fine extension of the original — clean and stocked CDs, audio gear and with some higher-priced (befitting the location) items (like Japanese audiophile pressings), nothing beats the downtown location's atmosphere: dirty, dusty, and dingy, a place that feels more like an old shed than a record shop. But that works here as the emphasis is clearly on vinyl — and there is plenty. (There are CDs and DVDs too, but this is a
This article originally published on April 18, 2014, and was updated for publication on January 17, 2017.