Arizona Theatre Company's Romeo and Juliet turned out to be a treat, but only for those who hadn't already witnessed a previous parade of updated, restructured Shakespeare productions. And for those who didn't care whether the Bard's verses were well-delivered or his young hero and heroine nicely acted. Set in swinging '60s Italy, this overlong, largely dreary Romeo and Juliet was saved by ensemble player Richard Baird, who appeared to be the only actor cast for his ability to play Shakespeare. However he arrived on the production's makeshift Italianate stage, he owned it — particularly as a swaggering, ultra-butch Mercutio, whose Queen Mab speech he transformed into poetry. His performances here spared audiences from an otherwise dreary evening of theater.