Audio By Carbonatix
Artist: Foxy ShazamTitle: Foxy ShazamRelease date: April 13Label: Sire
Attention, fans of Glee and American Idol and Fame and Broadway and Queen. Your prayers have been answered by Sire Records, who has delivered unto you a band from Cincinnati that will blow you away. The band is called Foxy Shazam, and they will soon be your new favorite act. I promise.
Foxy Shazam will be at Scottsdale’s Martini Ranch on Friday, April 23. I’m tempted to go, just to see if F.S. can come anywhere close to matching the record’s arena-rock majesty in a club setting. Sire shelled out some big bucks for big-name arrangers, producers and session musicians to forge this mammoth-sounding, Queen-meets-Meatloaf-meets-Springsteen-meets-Green Day record.
Led by a Freddie Mercury clone on lead vocals, Foxy Shazam do nothing subtly, which is good if you’re eventually gonna be arena-filling superstars or be the house band of Foxy Shazam: The Musical, starring Adam Lambert.
Seems every major arena act of the past 30 years gets a musical nod on Foxy Shazam. Let’s see, there’s U2, Madonna, Green Day, Springsteen, Guns N’ Roses, Billy Joel, and of course, Queen and Meatloaf. Really, only Metallica goes unrepresented.
From a performance, songwriting, and production standpoint, Foxy Shazam is impeccably made. The melodies are memorable, the vocals are expressive, the choruses are massive, the lyrics are blandly uplifting, the arrangements are airtight, and the production is pristine and tailored to as a big an audience as possible.
If this were a movie, it would be Avatar — a treat for the senses but not very fulfilling.
In the end, Foxy Shazam is the kind of record made for people who buy one CD a year.
Best song: “Unstoppable.” As if you couldn’t tell by the title, this is Foxy Shazam’s stab at a “We Are the Champions”-style anthem. Rotation: LowDeja Vu: The Grease soundtrack as imagined by Green Day.I’d rather listen to: Sire’s back catalogue: Pretenders, Ramones, Radio Birdman, Dead Boys, etc.Grade: D. After listening to tomorrow’s Nothing Not New entry, Coheed & Cambria, I’m changing Foxy Shazam’s grade to a solid B. Foxy Shazam wants to be the “Michael Jordan of rock ‘n’ roll” and I like their spirit.
“Nothing Not New” is a yearlong project in which New Times editorial operations manager Jay Bennett, a 40-year-old music fan and musician, will listen only to music released in 2010. Each Monday through Friday, he will listen to one new record (no best ofs, reissues, or concert recordings) and write about it. Why? Because in the words of his editor, Martin Cizmar, he suffers from “aesthetic atrophy,” a wasting away of one’s ability to embrace new and different music as one ages. Read more about this all-too-common ailment here.
The “Nothing Not New” Archives
April 13 — MGMT: Congratulations (B+)April 12 — Odds ‘n’ Sods: Robyn Hitchcock, RJD2, Scorpions, and More
April 9 — Murder by Death: Good Morning, Magpie (B-)April 8 — Harlem: Hippies (C+)April 7 — Slow Club: Yeah, So (B)April 6 — Black Francis: NonStopErotik (B+)April 5 — Growing: Pumps! (F)
April 2 — Holly Golightly and the Brokeoffs: Medicine County (B)April 1 — Dum Dum Girls: I Will Be (A-)March 31 — The Dillinger Escape Plan: Option Paralysis (B+)March 30 — Local Natives: Gorilla Manor (B)March 29 — The Bird and the Bee: Interpreting the Masters: Hall & Oates (C)
March 26 — Eddy Current Suppression Ring: Rush to Relax (C+)March 25 — Let’s Wrestle: In the Court of the Wrestling Let’s (B)March 24 — Goldfrapp: Head First (D)March 23 — She & Him: Volume 2 (A-)March 22 — Broken Bells: Broken Bells (C+)
March 19 — Locksley: Be In Love (B)March 18 — jj: jj no. 3 (C-)March 17 — Xiu Xiu: Dear God, I Hate Myself (D+)March 16 — Drive By Truckers: The Big To-Do (B-)March 15 — April Smith and the Great Picture Show: Songs for a Sinking Ship (C)
March 12 — The Morning Benders: Big Echo (C+)March 11 — Black Rebel Motorcycle Club: Beat the Devil’s Tattoos (B)March 10 — Acrassicauda: Only the Dead See the End of War (C-)March 9 — Titus Andronicus: The Monitor (B+)March 8 — Ted Leo and the Pharmacists: The Brutalist Bricks (A)
March 5 — Liars: Sisterworld (A-)March 4 — Gorillaz: Plastic Beach (A-)March 3 — Johnny Cash: American VI: Ain’t No Grave (B+)March 2 — High on Fire: Snakes for the Divine (C)March 1 — Joanna Newsom: Have One on Me (C)
Feb. 26 — Freeway & Jake One: The Stimulus Package (D)Feb. 25 — Past Lives: Tapestry of Webs (B-)Feb. 24 — Shout Out Louds: Work (B)Feb. 23 — Brian Jonestown Massacre: Who Killed Sgt. Pepper? (B+)Feb. 22 — Shearwater: The Golden Archipelago (D+)
Feb. 19 — The Strange Boys: Be Brave (B+)Feb. 18 — Tindersticks: Falling Down a Mountain (A)Feb. 17 — Lightspeed Champion: Life Is Sweet! Nice to Meet You (C-)Feb. 16 — Adam Green: Minor Love (B-)Feb. 15 — Juliana Hatfield: Peace & Love (B+)
Feb. 12 — Massive Attack: Heligoland (C-)Feb. 11 — The Watson Twins: Talking to You, Talking to Me (C-)Feb. 10 — Hot Chip: One Life Stand (B+)Feb. 9 — You Say Party! We Say Die!: XXXX (B+)Feb. 8 — Allison Moorer: Crows (B)
Feb. 5 — Joe Pug: Messenger (C)Feb. 4 — The Soft Pack: The Soft Pack (A)Feb. 3 — Polysics: Absolute Polysics (B-)Feb. 2 — Pierced Arrows: Descending Shadows (A-)Feb. 1 — The Brunettes: Paper Doll (B-)
Jan. 29 — Basia Bulat: Heart of My Own (C)Jan. 28 — Priestess: Prior to the Fire (B)Jan. 27 — The Magnetic Fields: Realism (B)Jan. 26 — Four Tet: There Is Love in You (D)Jan. 25 — Delphic: Acolyte (C+)
Jan. 22 — The Hot Rats: Turn Ons (B+)Jan. 21 — Los Campesinos!: Romance Is Boring (A-)Jan. 20 — Midlake: The Courage of Others (D-)Jan. 19 — Laura Veirs: July Flame (B+)Jan. 18 — Beach House: Teen Dream (C)
Jan. 15 — Charlotte Gainsbourg: IRM (B)Jan. 14 — OK Go: Of the Blue Colour of the Sky (D)Jan. 13 — Eels: End Times (A-)Jan. 12 — Spoon: Transference (B)Jan. 11 — Editors: In This Light and On This Evening (D+)
Jan. 8 — Surfer Blood: Astro Coast (B+)Jan. 7 — Yeasayer: Odd Blood (C-)Jan. 6 — Cold War Kids: Behave Yourself EP (B+)Jan. 5 — Vampire Weekend: Contra (D+)Jan. 4 — Texas Tornados: Está Bueno! (B)
Jan. 1 — Scanners: Submarine (B-)
