Thousand Kisses Deep
Using soft colors rather than her characteristic bold ones, Carrie Marill infuses her geometric piece with a quiet presence that draws the viewer in and inspires further exploration of the work’s sophisticated and subtle quality. Thousand Kisses Deep is part of the “Luis Gonzalez Palma/Carrie Marill” exhibition that continues through February 25 at Lisa Sette Gallery.
Gillingwater’s photographs, which are featured in the “Between” exhibition that continues through February 17 at the Eric Fischl Gallery at Phoenix College, prompt reflection on the surveillance state and the role of technology in modern life. It's particularly relevant to contemporary political discourse in American society.
Klein’s sewn archival inkjet print with crystals conveys the power of photographic media to inspire imagination, giving viewers a compelling visual prompt with which to conjure their own stories. The work was featured in a January exhibition at Tilt Gallery titled “Photography Re-Imagined VI: Visual Storytelling.”
Morton’s dainty white cloth juxtaposed with the intensity of the bold text in colors signifying the American dream was a clear standout among hundreds of works featured in a three-night exhibition titled “Nasty Women: Phoenix Unite,” which was held at Grand ArtHaus and benefited Planned Parenthood of Arizona.
In a gallery filled with nostalgic takes on the Wild West, including several devoid of the indigenous people who predated the cowboys and their iconography, Douglas Miles made a strong showing with large-scale pieces that bear the names of Apache warriors. These works are part of “Western Pop,” which continues through May 6 at the Gallery at Tempe Center for the Arts.
Read on for more of January's best art from Aileen Frick, Daniel Friedman, and Cyndy Carstens.