Phoenix is brimming with creativity. And every other year, we put the spotlight on 100 of the city's creative forces. Leading up to the release of this year's Best of Phoenix issue, we're profiling 100 more. Welcome to the 2014 edition of 100 Creatives. Up today: 65. Randy Murray.
For Randy Murray, the show must go on.
Specifically, The Joe Show. It's the Phoenix-based filmmaker's documentary that explores the public persona and media savvy of Sheriff Joe Arpaio. The film's currently on the festival circuit and has taken home the Best Documentary award at the Geneva, Big Easy International, and Phoenix Film Festivals. Our two cents? The Joe Show's a must-see.
The documentary recently screened at the Jerome Indie Film & Music Festival. Next up, Manhattan Film Festival.
With a compelling and utterly upsetting subject and a well-told story that will rile up anyone with a conscience, we have a feeling Murray and his movie will be on the road for a while.
I came to Phoenix with my family. I was 11 years old, my folks were struggling in LA when my mom won the "Deal of the Day" on the TV show Let's Make A Deal with Monte Hall. They sold their winnings and bought a home in Phoenix, hoping for a fresh start. It didn't work out for either of my parents, they both eventually moved back to California. My sister and I ended up calling Phoenix home. It is funny how TV show winnings brought me here.
I make art because I can't help myself. I am naturally mischievous, storytelling lets me cause all kinds of problems and create all types of chaos without anyone getting hurt. I am also one of those who believe that if you have the ability to do something good for the world, you have an obligation to do it. I know there is power in story and even greater power in a telling a story with video. So I make my art to entertain and to do good.
I'm most productive when I am inspired. I try to start the creative process by setting an objective for the piece. How do I want people to feel after seeing it? What do I want them to do? How do I want them to feel? And then I work backwards from there. Bits and pieces of ideas may come at anytime, but mornings or late nights is when full ideas seem to come together for me most often, and when inspiration comes I need to dive in and focus on my work.
My inspiration wall is full of... I don't have an inspiration wall, I use a journal. When I see something in life that makes me laugh, inspires me, breaks my heart or just makes me feel happy to be alive I try to write it down in my journal. One of the best tools for effective storytelling is real life. The people I meet, my experiences, the places I visit are the best touchstones for creating my art.
I've learned most from... I really don't know who has influenced me the most, I truly try to learn from as many sources as I can. I learned how to approach business and happiness from my dad. I learned how be happy from my kids and how to be fulfilled from my wife. The joy of learning from a long string of great teachers. How to cast shadows from Bill Harrison. How to see the future from Bob Long. I am always learning from the great storytellers of our time and the past.
Good work should always make you think, make you wonder, make you want to do something.
The Phoenix creative scene could use more... As a fairly new city the creative community could use many things, but to me two seem more important than most; competent political leadership and self confidence.
We need to work as an artistic community to help elect leaders who speak for the arts. It is smart economic development to make art essential to every aspect of our society; from education to legislation.
I think this is a city and community that is blooming. It seems that we do not know what a great city Phoenix is, and what a great city it is becoming. Unlike LA or New York, Phoenix is special in it's own way. We often overlook how unique our cities and landscape are. The light, the sky, the desert are wonderful and beautiful. As are the people, most of us are here because we choose to be. Unfortunately many people try to compare us with other cities, as artists the only real competition we face is with ourselves.
See the 2014 edition of 100 Creatives:
100. Bill Dambrova 99. Niki Blaker 98. Jeff Slim 97. Beth May 96. Doug Bell 95. Daniel Langhans 94. Nanibaa Beck 93. Nicole Royse 92. Ib Andersen 91. Casandra Hernandez 90. Chris Reed 89. Shelby Maticic 88. Olivia Timmons 87. Courtney Price 86. Travis Mills 85. Catrina Kahler 84. Angel Castro 83. Cole Reed 82. Lisa Albinger 81. Larry Madrigal 80. Julieta Felix 79. Lauren Strohacker 78. Levi Christiansen 77. Thomas Porter 76. Carrie Leigh Hobson 75. Cody Carpenter 74. Jon Jenkins 73. Aurelie Flores 72. Michelle Ponce 71. Devin Fleenor 70. Noelle Martinez 69. Bucky Miller 68. Liliana Gomez 67. Jake Friedman 66. Clarita Lulić
Keep Phoenix New Times Free... Since we started Phoenix New Times, it has been defined as the free, independent voice of Phoenix, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Phoenix with no paywalls.