Upon entering Richard T. Walker's exhibition "the predicament of always (as we are)" at ASU Art Museum, the viewer is immersed in sound. Sound sculptures utilizing neon, keyboards, guitars, and rocks surround the space, and a two-channel video, from which the exhibition gets its name, is projected on the back wall. The artist, wearing a red t-shirt and dark jeans, is sitting in the White Sands National Monument in solitude, his back to us as he contemplates the scene and records himself talking on a cassette tape.
At times, the recording is muffled by wind and it becomes obvious that Walker's speech is not rehearsed. What he's saying is honest, personal, and raw. It's almost as if this tape was meant to be sent to someone close to the artist. While he is recording his thoughts, it's hard to not become immersed in your own. The viewer begins to embody this everyman role and becomes a part of the landscape. Even though the artist is alone during his journey through the desert, it's as if we are a part of it, too.