Weezer - Arizona State Fair - 10/16/14

Before Thursday night, I hadn't been to the state fair in close to a decade. I spent most of the day there, frolicking through the bright, bursting animal smells and the tantalizing stench of grease. The whole day was an adventure, filled with overstimulation, unbridled joy, and thoughts of "Wow, this thing that shouldn't exist totally does exist." I even got a hat shaped like a doughnut! It seems like the fair hasn't changed a bit.

I've always wondered about the perspective of the bands who play at the Arizona State Fair. Wouldn't they think it's super-lame? It's not the most modern of venues, and they have to share space with contests for who can grow the most tumor-ridden squash. But then I remembered there was a guaranteed audience and probably decent payment for these shows, so it would probably be a lot of fun.

Weezer also is a lot of fun. It's that band that everyone was into 10 years ago, whether they liked it or not, and its ballads about being an outsider were easy to relate to for a 13-year old like me. Weezer's greatest hits have aged relatively well, but not enough that I've been closely following their last few releases. The band's new album, Everything Will Be Alright in the End, appeared to rely heavily on Internet subculture, and when Weezer opened with a track from the new record, it confirmed a return to form. They followed up with "Hash Pipe" and "Perfect Situation."

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Troy Farah is an independent journalist and documentary field producer. He has worked with VICE, Fusion, LA Weekly, Golf Digest, BNN, Tucson Weekly, and Phoenix New Times.
Contact: Troy Farah