What didn't change, however, was the festival's local roots and its commitment to charity.
Here are the best and worst aspects of this year's M3F. And for recaps of many of the sets, check out our compilation of reviews.
Best: The use of space
At first glance, the move from Margaret T. Hance Park to Steele Indian felt a little odd. It's certainly a much bigger footprint overall, and when there's not nearly enough people in the space as was the case earlier in the day, things felt a little janky at best. But then you spend some time moving around it all, and all that added room really makes a difference. The way the stages were situated, for instance, meant no long walks (and still minimal bleed-over). There was also significantly more room for vendors and other merchants, which feels a little novel compared to some other fests. Similarly, there seemed to be ample choices for food — not to mention places to actually eat beyond awkwardly huddling near these food courts.Even having random places to gather away from stages or areas for eating/shopping made just hanging out an even more appealing (and feasible) prospect. Maybe Hance and M3F had some kind of emotional connection for longtime attendees, but this new space offers heaps more opportunities for the event to further grow in the years to come. Chris Coplan
Worst: Creature comforts (or lack thereof)
For starters, the park’s bathrooms were woefully inadequate for the festival. I felt especially bad for the folks using the women’s restroom, which almost always had a massive line. In addition, I noticed there wasn’t any toilet paper in the men’s room, which I can imagine made for a less-than-optimal experience for many.The small water station’s well seemed to be going dry at the end of Saturday night, making it difficult to get a full bottle to rehydrate.
The main downside of the festival was its no re-entry policy, which created what one festival-goer called a “hostage situation.” The inability to leave for a breather and come back prevented a number of attendees we spoke to from coming closer to the gate time and seeing some of the earlier acts. TJ L'Heureux
Best: The art and retail vendors
The installations all over the festival grounds were fantastic. The glamorous, steel-constructed cacti between the two largest stages provided a little bit of shade for those looking to chill. The lake in the middle of the park was lit up beautifully at night and provided a nice respite from the pulse of the music. The rig of giant disco balls was a great spot to meet up with people you lost throughout the day.A large section of retail vendors nearby provided groovy garb for those missing that extra touch for their festival outfit. One tent sold customizable denim jackets, creating a unique shopping experience.
Another personal favorite of the festival: Yerba Mate and Celsius tents handing out free beverages helped keep festival-goers cool on a warm weekend. TL
Worst: A different breed of fans
It was easy to be of two minds when it comes to fans at this year's festivities. Really, dance/EDM crowds in general often differ from the more "casual" crowds at other fests, but even that's not always inherently a bad thing. A lot of them tended to show up around 5 p.m. or so, and that's both a blessing — it sure helps with crowding and whatnot — as much as it's sort of irksome (it doesn't bode well for the opening acts).There's also the use of hula-hoops and other flow art tools/toys. Sure, they're one of the ways that some of these fans celebrate the music, but moving through the crowd while someone absentmindedly hits us with a poi really diminishes the air of collaboration and community at these fests. Maybe as an extension of that, there's a sense of faux preening amid some in the crowd, like this is just a showcase for them and not a powerful gathering of people in the name of art and life.
So, if we're doing the math, the fans weren’t the worst, but they weren’t always the greatest, either. Individuality and mold-breaking are cool, but not nearly as much as general self-awareness in social settings. CC
