BEST HIP-HOP MORNING DRIVE RADIO SHOW 2007 | Da Nutz on Power 98.3 FM | People & Places | Phoenix
Navigation
They're the saltiest set of nads you'll never taste. Well, unless you get lucky at one of their public appearances. They are, literally, Da Nutz: Joeyboy and JPhilla, rulers of mornin' FM, and two of the nastiest pole-waggers on the air. They're notorious for their "dirty-dirty" segments, where callers put their baby-daddies or baby-mommas "on blast" for a variety of reasons: not payin' child support; the woman's a ho; the man's a ho; the children are hos; and so on. This not being Loveline with Dr. Drew, Da Nutz rag on 'em all, pretty much. Then there's the show's Drunk Phone, where the phone-mails of the inebriated are played back the following day, not to mention the parodies Da Nutz rip, like their version of Nelly Furtado's "Promiscuous" titled, "Smells Like a Fish." (Three guesses what that one's about.) Da Nutz's catchphrase: "Whaaaat Izzzzz It?" Their DJ: Knick Nack. Their saucy sidekick: The luscious Lady La. Their time slot: 6 to 10 a.m., Monday through Friday. Now be there, bitches.
A National Public Radio member station, KBAQ offers something for the classical connoisseur and the interested explorer alike. Fringe fans have a place to hear selections from popular composers like Mozart, Wagner, and Chopin, and symphony junkies can hear works by newer or lesser-known composers like Amy Beach, Manuel De Falla, and Hugo Alfven. Whether you want to hear some Berlioz, Brahms, and Saint-Saëns to mellow out your Monday afternoon, or romance your Friday night date with Beethoven's "Music for a Knightly Ballet" and etudes by Andres Segovia, KBAQ's got you covered. Sunday-morning fare often includes Handel's "Messiah," but the mood smoothes out with stuff like Bach violin concertos and Sibelius' "Historic Scenes" by hangover-nursing time.
And nothing beats KBAQ for broadcasts of local classical music performances. The station airs "ASU in Concert" on Thursday nights, the Phoenix Symphony on Monday nights, and the Arizona Opera on Saturday nights in the fall.
Sure, they still play the likes of Tim McGraw, Kenny Chesney, and Keith Urban, but the DJs at KMLE also follow the scent of fresh cuts by emerging country artists like Dusty Drake, Trent Tomlinson, and that blond beauty Taylor Swift (Swift's so hot that we can even forgive the heavy rotation of Jack Ingram's country cover of Hinder's "Lips of an Angel," perhaps the most melodramatic and lousy song to hit rock radio in the past 15 years). And when it comes to on-air talent, KMLE's got some of the best in the business working the boards, including former 98 KUPD jockey Dave "The Morning Mayor" Pratt and "Big Shoe" Stu Evans, who was recently named the Academy of Country Music's "Disc Jockey of the Year."

There's no better source for big country concerts, either — KMLE's a presence everywhere, from the annual Country Thunder U.S.A. festival in Florence, Arizona, to inner-city shows by folks like Taylor Hicks and John Michael Montgomery.

Almost makes us want to yell "yee-hah!"

This station says its programming is "positive and encouraging," and its goal is to "spread the Gospel" through mass media. This is some gospel we can get into. The Christian frequency's programming is packed with an eye toward reverence and redemption — news and weather broadcasts include coverage of things like Arizona church kids participating in the International Folk Dance Festival and the controversy surrounding that Jesus tomb film. And the music is all Christian contemporary, from more traditional-sounding tunes like Lincoln Brewster's "Everlasting God" and Bebo Norman's "I Will Lift My Eyes" to songs by edgier, newer artists like Rush Of Fools and Newsboys.

The station also has a "ministry staff," which fields and airs "Prayer Requests" from listeners. DJs like Jon and Sherry Rivers (who host the station's weekday morning show) keep things entertaining with their earnest observations and clean wit.

We gotta tell you something, sister: You haven't been to church until you've been to Pilgrim Rest. This isn't about a particular religion. We are talking strictly soul. The church, which has been a staple in the Eastlake Park neighborhood of Phoenix for years, is standing-room only on Sundays, with a line out the door. The walls thunder with the sounds of spirituals and occasional funk band riffs, while big-voiced singers belt out the love of the Lord. The church is quite welcoming to visitors and you can't help but be inspired to conquer the troubles of the world — or at least the woes in your life — after hearing Pastor Alexis Thomas perform from the pulpit. Some of our favorite sermon themes include, "Don't miss your connection!", "You gotta have a breakdown to have a breakthrough," and "Put yo'self back together again, just like Humpty Dumpty after he done fell off that wall!" Go 'head, Pastor Thomas!
Third Friday art walks may not be as bumpin' as First Fridays, but the one thing we love about them is the free-flowing wine and beer at most galleries. It's a great way to booze your way into the weekend, courtesy of the artists. But no one offered a better way to get nailed in 2007 than Kjel Alkire at eye lounge gallery on Roosevelt Row. With a background in seminary training and education, Alkire's work revolves around Christian themes and intellectual explorations of religious belief. His art performances involve his alter ego, Reverend Rodeo, who gladly provided ice-cold beer to his congregation on the Third Friday of August. And Alkire's "Pulpit" exhibition included a provocative activity in which you could get hammered in another way. The back room of the east gallery was lined with panels of salvaged wood, transforming the entire space. Bins contained plush dolls of Jesus in the classic crucifixion pose, and accompanying the dolls were punch cards that listed various sins. Participants were invited to use a nail to punch holes next to sins they'd committed. Then, to drive home the point of the resulting boundless shame, Alkire instructed viewers to grab a Jesus doll and nail it to the wall. The idea may have seemed too blasphemous at first, but after a few brewskis, getting hammered with Jesus wasn't such a bad idea after all.
We love The Roosevelt. Great décor, beer, wine, and food — it was a no-brainer to add it to our rotation when Matt Pool opened for business last year. We don't always love the line for the, ahem, facilities, in which we inevitably find ourselves after a couple of rounds of libations. Sure, you can always strike up a diversionary conversation while in line, but when it's time to go, it's time to go. It took only a couple of visits to discover the holy grail in the back patio, between the bar and the kitchen. Tucked behind the tap room is a small bathroom, accessible only from outside. We can't believe no one's discovered it. Oh, wait, now you have. Uh oh.
Usually, the unwritten code of conduct for the urinals in every men's room is eyes forward at all times. But we'll understand if you find it hard to keep your peepers straight ahead while doing the deed in the boys' bathroom at fratboy heaven Dos Gringos in Old Town Scottsdale.

Hey, before you say anything, we ain't claiming you're trying to sneak a little peek at anyone (not that there's anything wrong with that if you were); it's just that the groovy and goofy graffiti lining the walls of the pee parlor is extremely eye-catching and hilarious. Prominently featuring the joint's barrel-wearing doofus mascot, the paint job contains pop culture quotes from a variety of sources, as well as a few scatological turns of phrase. Our favorite from the former category is Homer Simpson's side-splitting parodying of "Tubthumping" by Chumbawamba: "I drink a whiskey drink/I drink a chocolate drink/and when I have to pee/I use the kitchen sink." Good times.

Benjamin Leatherman
The ladies' loo at this British pub is like a work of lowbrow community art, with bright red walls, sickly, mellow-yellow hospital hallway lighting and a cheap, faux Deco mirror with a glued-on frame made of glass aquarium rocks — half of which are missing. British currency (which depicts the queen's big mug, of course) is glued here and there on the wall, some with bubbles drawn from the queen's mouth that have her saying things like, "Hi, I'm yer sister! Boink me, mate!" The graffiti, scrawled all over the walls in black marker, contains quips like, "Today, I drew a blank. I think it's the best thing I've ever drawn," and "Do not poke the sleeping dragon. For you are crunchy and taste good with ketchup."

But despite its smarmy, punk truckstop vibe, the G&D can is always clean where you need it to be clean, if you get our drift. There might be some paper towels strewn here and there or some soap spilled on the floor, but we're never afraid to sit down to pee.

We know a date at the art museum is about as fresh as talking astrology at a bar. But take your date to Yayoi Kusama's You Who Are Getting Obliterated in the Dancing Swarm of Fireflies mixed-media installation with LED lights at Phoenix Art Museum and you will be sure to dazzle your date into a quick first kiss. The installation, housed in the Laurie and Drew Brown Gallery at the top floor of the newly expanded museum, is a dark room with mirrors lining the walls, ceiling, and floor. The only illumination comes from strings of dim lights that dangle from the ceiling and float only one foot above the mirrored floor.

The small light strings dim and fade between colors. The endless reflection creates a space with no visual boundaries that bombards us with an overwhelming sense of thrilling disorientation. Stepping into the seemingly infinite space will take your breath away. With such heightened excitement, latching onto your hot date and making the move is only natural.

And if you're shy about PDA, don't sweat it — Phoenix Art Museum volunteers allow only two people into the installation at a time and don't stick around to watch. And while the temptation may be to make the moment last, there are other people waiting in line to get some — so make it quick.

Best Of Phoenix®

Best Of