Best Place to See a Metal Show 2013 | Joe's Grotto | Bars & Clubs | Phoenix
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Best Place to See a Metal Show

Joe's Grotto

Hosting a metal show is a stressful prospect, even if it doesn't come with all the Satanic accouterments parents worried about in the '80s. For one thing, nothing else in rock 'n' roll makes noises quite comparable to metal's guttaral screaming and layered, loud guitars; for another, no other genre has thrown off quite so many warring, not-quite-compatible subgenres. Without the necessary experience, it's a constant battle to keep the bands audible and the diehard fans convinced you know what you're doing. Joe's Grotto has been around long enough to thread that needle, putting on doomcore and neoclassical shows with equal aplomb. It looks like a gritty, authentic venue, but it doesn't sound like a gritty, authentic venue, because it's got a great sound system. Lots of places periodically play host to Phoenix's metal-hungry music fans, but nobody does it more consistently and thoughtfully.

Best Club Show

Jeff Mangum

Within a week of each other, two influential musicians making tentative returns to the public eye hit the Valley. It was difficult to pick Jeff Mangum over Aaron Carter of "Aaron's Party (Come Get It)," but the infamously reclusive genius behind Neutral Milk Hotel did a slightly better job of living up to the reputation that sprang up in his absence. Carter mostly just got hit on by the women of Martini Ranch and got into a Twitter feud with us; Mangum didn't allow photos, froze up at the site of a raised smartphone, and — while he was at it — wrung tears from a bunch of grown men and women who thought they'd never get the chance to see their indie Salinger in person. Two sets' worth of fans at Crescent got to hear his singularly strange, affecting paeans to Anne Frank, which would have been enough by itself. What made the shows great, even though Jeff Mangum has never once beaten Shaquille O'Neal in a pick-up basketball game, was his ability, despite more than a decade out of live music, to reach back for the manic energy that built his cult following in the first place.

Best Theater Show

Jimmy Eat World

After their customary three-year hiatus following 2010's Invented, the Mesa natives announced their eighth album and an Arizona tour in rapid succession in April. The album, Damage, was prototypically Jimmy Eat World; the tour was a little unusual. Bypassing Phoenix and Tucson entirely, Jim Adkins and company scheduled much smaller shows in not-quite-hotspots like Yuma, Wickenburg, Sierra Vista, and Casa Grande. The result was a run of up-close, sold-out shows that were as small as any the band has played since Clarity made them cult heroes in the late '90s. We were there on May 9, for the Casa Grande show, and aside from betraying their big-city upbringing — locals offered some helpful pronunciation tips for "Grande" — they haven't lost their small-show touch. That performance's encore ended with a fan jumping up and down on stage. At a bigger venue, that'll get you kicked out before the guitar solo in "The Middle." In Casa Grande, it earned him a high-five.

Best Arena Show

Taylor Swift

This has been a good year for Taylor Swift: The jokes about her various exes were finally played out, last year's Red continued to sprout hits, and she emerged, with that album's capital-e Extravaganza, as one of the most compelling arena acts of her generation. The category isn't labeled Best Arena Show Ever!!!, but it's close enough — in late May, a swarm of astoundingly polite, well-dressed, self-confident 9-year-old girls swarmed around Westgate's mock downtown, making perfect eye contact and feeling empowered. And, granted, making signs covered in high-contrast glitter. Taylor Swift's brand of hyper-produced, absurdly expensive arena show hasn't launched as many culture-studies Ph.D.'s as Lady Gaga's, but it's even more likely to feature an extended dance synthesis of dubstep, parkour, and the fashions of medieval Europe. And the kids it brings out are a little more likely to make you feel like the world is going to be a better — if also a more unnecessarily giddy — place when they grow up.

Best New Music Venue

The Western

We've heard The Western's ambiance described as "honky-tonk bar and restaurant without the Disney-esque trappings" of a honky-tonk bar and restaurant, which is exactly how it'll charm you: If you're the kind of person for whom boots will always feel a little like a Halloween costume, The Western just might make you comfortable. Brainchild of Charlie Levy and Tucker Woodbury, who previously teamed up for Crescent Ballroom, The Western offers a rootsy, unpolished antidote to glitzier Americana with regular, free sets from local stalwarts like Sara Robinson. Like Levy's other venue, it's a great place to hang out that also happens to be an excellent venue — national acts aren't the focus, but they do and will show up when they fit the theme. What makes it such a pleasant place to be is that you won't feel like you also have to fit the theme.

Best New Nightclub

Maya Day and Nightclub

In Scottsdale, no one ever seems to stay satisfied with much of anything for too long. Hence the constant state of reinvention in the entertainment district, where the clubs gods have giveth and taketh away much in the past few years. They've been especially busy along Saddlebag Trail just south of Camelback Road, which has become Scottsdale's current "it" area. As its name portends, the 27,300-square-foot megaclub was designed to host the sort of around-the-clock affairs that kick off in the daytime and keep rolling after dark and long into the night. And that's exactly what's been happening since it opened in April.

In many respects, Maya's is Scottsdale's version of the high-style beach clubs of Sin City, with its similarly swank amenities geared toward the party crowd. The massive pool and patio area, which is centered on the outdoor DJ booth and LED screen and ringed with daybeds, bars, and cabanas, was busy with weekend swim fetes throughout the summer. Steve Aoki played the place (natch), as did Calvin Harris, Thomas Gold, and Fatboy Slim (who made his first-ever appearance in Arizona). And its 9,700-square-foot indoor nightclub has been filled to capacity most of the nights it's been open, probably because of the blockbuster level of DJ talent that has been brought in by prominent Scottsdale promoter Steve Levine. Suffice it to say, if you haven't already visited Maya yet, you probably will soon.

Best Rock Club

Yucca Tap Room

Jennifer Goldberg

That 99 percent of all the shows going off at the Yucca are free would be nearly enough reason to give this longtime Tempe bar such an honor. But even if owner Rodney Hu charged us a cover, we'd be hard-pressed to find a better all-around place to see music in the Valley, because it seems that just about every night is a party at the Yucca. When gritty local acts of all stripes — power pop, post-punk, metal, garage rock, country rock — aren't providing the soundtrack to a typical booze-fueled night at the Yucca, you'll find numerous underground touring bands setting up and throwing down. With cheap beers, no-hassle entry and exit, respectable bar grub, a dedicated smoking patio, and not-so-elegantly wasted clientele, no other rock bar in the Valley offers a more consistently affordable and memorable night out seeing bands than the Yucca.

Best Rockabilly Bar

Rips Ales & Cocktails

Lauren Cusimano

True story: The late outlaw country artist Waylon Jennings once filled the cozy interior of Rips with his dulcet croonings during a performance at the 16th Street bar way back in the day. Ditto for fellow legends Willie Nelson and Charley Pride, both of whom also performed inside the joint when local country singer Jimmy Aims ran it from the '70s through the early '90s. Such footnotes from Rips' storied past, documented in a few photos of the aforementioned superstars gracing the walls, help give the place an O.G. pedigree whenever hosting the down-home sounds of rockabilly. Besides its usual slate of punk bands and New Wave dance nights, weekends at the bar over the past few years have showcased acts from Arizona and elsewhere specializing in the uptempo hybrid of country, rhythm and blues, and old-fashioned rock 'n' roll, which was born in the 1950s, the same decade Rips opened. In just the past year alone, you could've caught the country-influenced grooves of locals like Trailer Queen or The Jamie Waldron Trio, as well as the psychobilly flair of The Limit Club, hellacious sister act The Devil's Daughters, the Latin-tinged swing of Curse of the Pink Hearse, or gigs by such out-of-towners as Utah's Mad Max and the Wild Ones. Local selector DJ Organic also is keen on spinning up retro rockabilly platters during his all-vinyl night Rumble! every Wednesday, which is typically attended by all manner of hepcats and kittens. We're almost certain somewhere, the spirit of Jennings (himself a noted fan of 'billy bands) is looking down on the place and snapping his fingers along with the beat.

Best Punk Bar

Ice House Tavern

Lauren Cusimano

Affectionately known as "the hockey bar" by those in the know, this low-key Arcadia drinking spot gleefully defies any conventional notions of punk rock. And that is exactly why it is the punkest bar around. For starters, it's very tidy. It's also not really that loud, thanks to a carpeted, low-ceilinged room, and patrons are more likely to politely sit and watch at one of the high-top bistro tables than form any kind of mosh pit. And then are the big-screen TVs behind the bar, always tuned to sports. And, most of all, there's the 50-foot window overlooking the adjacent Arcadia Ice Arena, where burly hockey-playing dudes are hip-checking each other or families are gliding around the ice for open skate while noise merchants like Man Hands, Odds + Sods, JJCnV, and Shovel are kicking out the jams. It's the oddest juxtaposition of disciplines in the Valley and just one reason area punkers like to set up shows here. Some other reasons? How about decent drink prices, super-easy parking, a big smoking patio, and a jukebox stuffed only with local artists' CDs. Here's hoping "the hockey bar" doesn't put its weekend punk shows on ice anytime soon.

Best Hip-Hop Club

Club Red/Red Owl

Just like 50 Cent, we ain't gonna lie — Club Red/Red Owl is the go-to venue for hip-hop in the Valley. Fact. Not only for the sheer number of shows it hosts, but also the wide diversity of gifted lyricists and rhyme-spitters slinging game from its mics and stages. The double-sided Tempe club has had live hip-hop on lock in recent years, whether it's intimate performances with underground MCs like Busdriver, showcases loaded with burgeoning local rappers, or gigs headlined by such superstars as E-40 and Talib Kweli.

And one of the reasons promoters, performers, and headz keep coming back to the club — besides its versatility and ace sound system — is booker Mattx Bentley. The affable 36-year-old former promoter, who also manages The Insects and runs Valley label 1090 Records, is well versed in hip-hop and respected in the scene. He's also connected with promoters — ranging from Sean Healy Presents and Universatile Music — and such hip-hop stars as Jean Gray and Pharoahe Monch, both of whom Bentley's brought to the club, sometimes literally. He has had to play chauffeur for artists, and that's led to a few interesting experiences, like when he had to wander around Sky Harbor last year while picking up Phife Dawg. "His cell battery died, so I had to walk in and look around the crowd for this short guy who has repped himself as 'The Five Footer,'" Bentley says. "That was odd." Hey, whatever it takes to ensure another memorable night of hip-hop at Club Red.

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